File:Admiral Anson’s Action off Cape Finisterre 1747, by Samuel Scott, T00202.jpg

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Captions

Captions

Admiral Anson’s Action off Cape Finisterre 1747, by Samuel Scott - Tate Gallery

Summary[edit]

Description
English: Admiral Anson's Action off Cape Finisterre 1747 c.1749-50 Samuel Scott c.1702-1772

The painting celebrates Admiral Anson’s successful attack on a French convoy, carried out as part of Britain’s policy to cut communication between France and her North American colonies during the War of the Austrian Succession. It is not an accurate representation of events, but more a monument to Britain’s rapidly growing naval power. From the late 1720s Scott was England’s leading marine painter. After Canaletto’s arrival in London in 1746 he also began to produce panoramic views of London and the Thames, presumably in response to a growing market for such subjects.

Gallery label, February 2016

Purchased 1958 http://www.tate.org.uk/art/work/T00202
Date between circa 1749 and circa 1750
date QS:P,+1750-00-00T00:00:00Z/7,P1319,+1749-00-00T00:00:00Z/9,P1326,+1750-00-00T00:00:00Z/9,P1480,Q5727902
Source Tate Gallery
Author
Samuel Scott  (1702–1772)  wikidata:Q2542057
 
Samuel Scott
Alternative names
Birth name: englischer Canaletto
Description British painter
Date of birth/death circa 1702
date QS:P,+1702-00-00T00:00:00Z/9,P1480,Q5727902
12 October 1772
Location of birth/death London Bath
Work location
Authority file
creator QS:P170,Q2542057

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1772, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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