File:Adventus Seren(issimi) Principis Gratulato (BM 1884,0112.37).jpg
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Captions
Summary[edit]
Adventus Seren[issimi] Principis Gratulato ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Theodoor van Thulden
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Title |
Adventus Seren[issimi] Principis Gratulato |
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Description |
English: Plate 6: The Stage of Welcome, in the form of a monumental triptych depicting episodes from the journey of Prince Ferdinand from Spain to the Spanish Netherlands: at left "The Voyage of the Prince from Barcelona to Genoa", at right "The Meeting of the Two Ferdinands at Nördlingen" and at centre "The Advent of the Prince"; the middle section is devoted to the theme of the joyous reception of the new governor into the Spanish Netherlands, particularly by the Antwerp citizens; the monumental portico presents the illusion of a passageway temporarily closed by a tapestry and a stage supporting a group of frolicking children, flanked on either side by statues of allegorical figures in niches, at left Public Joy ('Laetitia Publica') holding a wreath and resting a rudder on a sphere, and at right the Genius of the city of Antwerp ('Genius Urbis Antverpiensis') carrying a cornucopia and a patera; a heavy arch suppports a palm tree with the globe of the world in its branches, flanked by two winged Fames in the company of a lion and an eagle; a statue of Good Hope stands on the balustrade platform at centre, with putti bearing coats of arms, banners and laurel wreaths flanking the arch; at lower left and right are telamones seated on griffons and holding cornucopias; coats of arms flank the portico at its base; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641)
Engraving and etching printed from two plates |
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Depicted people | Illustration to: Gaspar Gevaerts | |||||||||||||||||||||||
Date | 1635-1641 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1884,0112.37 |
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Notes |
One of a series of forty-three plates illustrating Gaspar Gevaerts' "Pompa Introitus"; for further comments see 1884,0112.31. This decoration is the first of the temporary structures erected for the Entry and bears the form of a monumental triptych of carved and painted wood framing three canvases. It stood at ot over twenty-two metres in height in the Mechelse Plein, behind the St. Joriskerk, facing the procession along the St Jorispoortstraat. In contemporary sources the work is variously referred to as the Stage of St. Joriskerk, the Stage of Good Hope and the Adventus Principis; Gevaert refers to it as the Rejoicing over the Arrival of the Most Serene Prince. Rubens' first oil sketch for the Stage of Welcome reveals that the left and right wings were not included in his initial design and he works out the subsequent expansion of the stage in two additional preparatory sketches (see Martin below). Lit.: John Rupert Martin, The Decorations for the Pompa Introitus Ferdinandi, Corpus Rubenianum XVI, London, 1972, p. 30, figs. 3, 8, 14. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1884-0112-37 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing[edit]
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This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:33, 10 May 2020 | 1,600 × 1,125 (284 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Flemish prints in the British Museum 1635 #1,136/3,454 |
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Camera manufacturer | Apple |
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Camera model | iPad Air 2 |
Exposure time | 1/33 sec (0.03030303030303) |
F-number | f/2.4 |
ISO speed rating | 100 |
Date and time of data generation | 10:14, 9 January 2019 |
Lens focal length | 3.3 mm |
Width | 3,264 px |
Height | 2,448 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 11.0 Windows |
File change date and time | 10:47, 9 January 2019 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 10:14, 9 January 2019 |
Meaning of each component |
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APEX shutter speed | 5.0589898672532 |
APEX aperture | 2.5260688116622 |
APEX brightness | 3.5067957479119 |
APEX exposure bias | 0 |
Metering mode | Pattern |
Flash | Flash did not fire, No flash function |
DateTimeOriginal subseconds | 181 |
DateTimeDigitized subseconds | 181 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Scene type | A directly photographed image |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 31 mm |
Scene capture type | Standard |
Lens used | iPad Air 2 back camera 3.3mm f/2.4 |
Date metadata was last modified | 10:47, 9 January 2019 |
Unique ID of original document | 0E0BCB7D3523A664D970086D170A1206 |
IIM version | 20,034 |