File:Bartholomeus Vermuyden.png
![File:Bartholomeus Vermuyden.png](https://upload.wikimedia.org/wikipedia/commons/thumb/3/34/Bartholomeus_Vermuyden.png/458px-Bartholomeus_Vermuyden.png?20080319085023)
原始文件 (647 × 846像素,文件大小:1.18 MB,MIME类型:image/png)
说明
说明
摘要
[编辑]Dirck Craey:Portrait of a man, presumably Bartholomeus Vermuyden (1616/17-1650)
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艺术家 |
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标题 |
label QS:Lnl,"Portret van een man, vermoedelijk Bartholomeus Vermuyden (1616/17-1650)" |
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物体类型 |
畫作 ![]() |
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藝術類型 |
肖像 ![]() |
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描述 |
For long this painting by Dirck Craey in the collection of the Rijksmuseum Amsterdam was considered to be a portrait of Jan van Riebeeck. I include excerpts from a recent article on the painting: For a long time Jan van Riebeeck was a symbol without a face. His portrait had been forgotten until 1884, when a series of 25 portraits, purported to be from the Van Riebeeck family, was donated to the Rijksmuseum. One painting was immediately deemed to be an authentic depiction of Van Riebeeck, seemingly confirmed by both its provenance and the inscription on the back. Except the man in the painting is not Jan van Riebeeck. Doubts about the portrait’s authenticity had emerged soon after its discovery, and by 1912 another portrait from the same collection was identified as being the authentic Van Riebeeck. Still, even in 1952 on occasion of the Jan van Riebeeck tercentenary the Rijksmuseum confirmed the identity of the first portrait. But it was only in 1985 that the attribution of the first Van Riebeeck painting was firmly rejected in favour of the second. In the meantime the wrong painting had become the standard type for depictions of Van Riebeeck on South Africa’s banknotes, coins, stamps, and even official statues. But who then is the man in the first painting? The portrait is now identified as likely depicting one Bartholomeus Vermuyden. Because of an initial misidentification and perpetuated by nationalist desire for an attractive symbol, Vermuyden, despite no known connection with South Africa, unwittingly became South Africa’s most notorious nationalist symbol centuries after his death. His painting is perhaps one of the most reprinted works in the collection of the Rijksmuseum. Similarly the portrait of the sitter’s wife was interpreted as a portrait of Marie de la Quellerie, Jan van Riebeeck’s wife. Of Bartholomeus Vermuyden not very much is known. He lived from c. 1617-1650, and was a military man, first in England under Oliver Cromwell, and from 1649 in the Dutch infantry as a captain until his death in August 1650. |
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日期 |
1650年 ![]() |
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表现形式 |
油彩在木板上方 ![]() |
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尺寸 |
高度:74厘米 ![]() ![]() dimensions QS:P2048,+74U174728 dimensions QS:P2049,+57U174728 |
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藏于 |
institution QS:P195,Q190804
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登录号 |
SK-A-808 (阿姆斯特丹国家博物馆) ![]() |
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参考 | |||||||||||||||||||||||||||||
来源/摄影师 | Suid-Afrikaanse Geskiedenis in Beeld (1989) by Anthony Preston. Bion Books: Printed in South Africa. | ||||||||||||||||||||||||||||
其他版本 | Image:Van Riebeeck00.jpg |
许可协议
[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
文件历史
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2008年3月19日 (三) 08:50 | ![]() | 647 × 846(1.18 MB) | Anrie(留言 | 贡献) | {{Information |Description= {{af|Jan van Riebeeck (1619 - 1677), stigter van die eerste kolonie in Suid-Afrika onder opdrag van die VOC.}} {{en|Jan van Riebeeck (1619 - 1677), Dutch colonial administrator and founder of Cape Town.}} |Source=''Suid-Afrikaa |
2008年3月19日 (三) 08:48 | ![]() | 887 × 682(1.31 MB) | Anrie(留言 | 贡献) | {{Information |Description= {{af|Jan van Riebeeck (1619 - 1677), stigter van die eerste kolonie in Suid-Afrika onder opdrag van die VOC.}} {{en|Jan van Riebeeck (1619 - 1677), Dutch colonial administrator and founder of Cape Town.}} |Source=''Suid-Afrikaa |
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结构化数据
image/png
1,241,554 字节
846 像素
647 像素
- Dirck Craey
- Bartholomeus Vermuyden
- Dutch Golden Age paintings in the Rijksmuseum Amsterdam
- 1650s portrait paintings from the Netherlands (male)
- 1650 portrait paintings of men
- 17th-century oil on panel paintings in the Netherlands
- 17th-century oil oval portraits of men at bust length
- 17th-century male portrait paintings in the Rijksmuseum Amsterdam
- 17th-century portrait paintings of men with presumed sitter
- 17th-century three-quarter view portrait paintings of men, facing right and looking at viewer
- Portrait paintings of men with left hand on chest
- Suid-Afrikaanse Geskiedenis in Beeld (1989)