File:Christ and the Repentant Sinners - Peter Paul Rubens.jpg
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Captions
Summary
[edit]Peter Paul Rubens: Christ and the Repentant Sinners | ||||||||||||||||||||||||||||||||||||||||||||||||
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Artist |
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Title |
Christ and the Repentant Sinners label QS:Lit,"Cristo con i quattro grandi penitenti"
label QS:Lid,"Kristus dan Para Pendosa Yang Bertobat"
label QS:Len,"Christ and the Repentant Sinners"
label QS:Larz,"المسيح والتائبون الخطاه"
label QS:Lnl,"Christ and Mary Magdalene" |
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Object type | painting | |||||||||||||||||||||||||||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||||||||||||||||||||||||||
Description |
English: Peter Paul Rubens "Christ and Mary Magdalene" (1618) Oil on panel, Alte Pinakothek, Munich. The painting depicts the scenes of Luke 23:26-28, "And as they led him away they laid hold upon one Simon, a Cyrenian, coming out of the country, and on him they laid the cross that he might bear it after Jesus. And there followed him a great company of people and of women which also bewailed and lamented him. But Jesus turning ubto them said "Daughters of Jerusalem weep not for me but weep for yourselves and for your children". The Devon topographer Rev. John Swete reported in his journal of 1797 that the painting had been purchased "abroad" by Mr Trefusis, later Baron Clinton, and that its owner had himself rescued it from a devastating fire at his residence of Heanton Satchville, Petrockstowe, Devon. Whilst still homeless he had loaned it for safekeeping to his neighbour John Inglett Fortescue Esq., at Buckland Filleigh, and it was displayed in the guest bedroom when Rev. Swete stayed the night. Swete wrote of it as follows: "At night as he introduced me to my bedchamber I observed what I thought a remarkable fine painting standing against the wall, and the next morning about six, the sun shining in at the windows, I drew back the curtains of the bed and contemplated it with admiration for at least an hour. The subject was taken from the New Testament, and was the compulsion of Simon to bear the Cross. The figures were five and the expression of the several countenances, the accuracy of the drawing and in particular the stile of colouring gave conviction to my mind that the master was Rubens. When I met Mr Fortescue at Breakfast I found that I was right in my conjecture...(Gray, Todd & Rowe, Margery (Eds.), Travels in Georgian Devon: The Illustrated Journals of the Reverend John Swete, 1789-1800, vol.3, Tiverton, 1999, p.113) |
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Depicted people | ||||||||||||||||||||||||||||||||||||||||||||||||
Date |
1618 date QS:P571,+1618-00-00T00:00:00Z/9 |
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Medium | oil on panel | |||||||||||||||||||||||||||||||||||||||||||||||
Dimensions |
height: 147.2 cm (57.9 in) ; width: 130.1 cm (51.2 in) dimensions QS:P2048,+147.2U174728 dimensions QS:P2049,+130.1U174728 |
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Collection |
institution QS:P195,Q812285
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Source/Photographer | Own work Taken in 2023 |
DescriptionChrist and the Repentant Sinners - Peter Paul Rubens.jpg |
English: Christ and the Repentant Sinners - Peter Paul Rubens |
Date | |
Source | Own work |
Author | GoldenArtists |
Licensing
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This image has been assessed using the Quality image guidelines and is considered a Quality image.
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:48, 25 March 2024 | 5,280 × 5,736 (28.61 MB) | GoldenArtists (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
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Camera model | ILCE-7RM2 |
Exposure time | 1/40 sec (0.025) |
F-number | f/7.1 |
ISO speed rating | 400 |
Date and time of data generation | 13:40, 5 August 2023 |
Lens focal length | 35 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
File change date and time | 17:40, 25 March 2024 |
Exposure Program | Aperture priority |
Exif version | 2.32 |
Date and time of digitizing | 13:40, 5 August 2023 |
APEX shutter speed | 5.321928 |
APEX aperture | 5.655638 |
APEX brightness | 2.42734375 |
APEX exposure bias | −2 |
Maximum land aperture | 0.96875 APEX (f/1.4) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 06 |
DateTimeDigitized subseconds | 06 |
Color space | Uncalibrated |
Focal plane X resolution | 2,662.1848754883 |
Focal plane Y resolution | 2,662.1848754883 |
Focal plane resolution unit | 3 |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 35 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | FE 35mm F1.4 GM |
Date metadata was last modified | 18:40, 25 March 2024 |
Unique ID of original document | 3930863AF3722A4913A04FEEBFB1C487 |
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