File:CigoliEcceHomo.jpg
![File:CigoliEcceHomo.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/0/0f/CigoliEcceHomo.jpg/468px-CigoliEcceHomo.jpg?20060214021946)
原始檔案 (801 × 1,025 像素,檔案大小:99 KB,MIME 類型:image/jpeg)
說明
說明
摘要
[編輯]奇哥利:Ecce Homo
![]() ![]() |
||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
作家 | ||||||||||||||||||||||||
標題 | ||||||||||||||||||||||||
物體類型 |
畫作 ![]() |
|||||||||||||||||||||||
藝術類型 |
宗教藝術 ![]() |
|||||||||||||||||||||||
描述 | ||||||||||||||||||||||||
描繪人物 |
耶穌 ![]() |
|||||||||||||||||||||||
日期 |
1607年 ![]() |
|||||||||||||||||||||||
表現方法 |
油彩於帆布上方 ![]() |
|||||||||||||||||||||||
尺寸 |
高度:175釐米 ![]() ![]() dimensions QS:P2048,+175U174728 dimensions QS:P2049,+135U174728 |
|||||||||||||||||||||||
藏於 |
institution QS:P195,Q866498 |
|||||||||||||||||||||||
登錄號 |
90 (帕拉提納美術館) ![]() |
|||||||||||||||||||||||
物件歷史 | Rome 1607, cardinal Massimo Massimi Collection; Florence, before 1630, Lorenzo de' Medici Collection; Giovan Battista Severi Collection; 1638, Ferdinando II de' Medici Collection | |||||||||||||||||||||||
參考文獻 | Acanfora, Elisa (2012年) "The Alternative to Caravaggio: Artists from Tuscany, Bologna and Elsewhere. Private Works" in Rossella Vodret , ed. 《 Caravaggio's Rome: 1600-1630》、米蘭: Skira Editore S.p.A.、pp. 90−93 ISBN: 9788857213873. | |||||||||||||||||||||||
來源/攝影者 |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/c/cigoli/eccehomo.html" |
授權條款
[編輯]
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。 |
檔案歷史
點選日期/時間以檢視該時間的檔案版本。
日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
---|---|---|---|---|---|
目前 | 2006年2月14日 (二) 02:19 | ![]() | 801 × 1,025(99 KB) | Jaranda~commonswiki(對話 | 貢獻) | {{PD-old}} |
無法覆蓋此檔案。
檔案用途
下列9個頁面有用到此檔案:
全域檔案使用狀況
以下其他 wiki 使用了這個檔案:
- be.wikipedia.org 的使用狀況
- de.wikipedia.org 的使用狀況
- en.wikipedia.org 的使用狀況
- es.wikipedia.org 的使用狀況
- fa.wikipedia.org 的使用狀況
- fr.wikipedia.org 的使用狀況
- fy.wikipedia.org 的使用狀況
- he.wikipedia.org 的使用狀況
- id.wikipedia.org 的使用狀況
- it.wikipedia.org 的使用狀況
- ja.wikipedia.org 的使用狀況
- nl.wikipedia.org 的使用狀況
- no.wikipedia.org 的使用狀況
- ru.wikipedia.org 的使用狀況
- www.wikidata.org 的使用狀況
- zh.wikipedia.org 的使用狀況
詮釋資料
此檔案中包含其他資訊,這些資訊可能是由數位相機或掃描器在建立或數位化過程中所新增的。若檔案自原始狀態已被修改,一些詳細資料可能無法完整反映出已修改的檔案。
JPEG 檔案備註 | CIGOLI
(b. 1559, Villa Castelvecchi di Cigoli, d. 1613, Roma) Ecce Homo 1607 Oil on canvas, 175 x 135 cm Galleria Palatina (Palazzo Pitti), Florence The history of what is certainly Cigoli's most famous painting has recently been clarified by the discovery of new documents. Cigoli's nephew, Giovanni Battista Cardi, was the first to report that this Ecce Homo was chosen as the best of three versions of the theme commissioned as part of an 'unknown' competition between Cigoli, Caravaggio and Domenico Passignano. It is now clear that in 1607, when Cigoli was resident in Rome, he painted an Ecce Homo for Massimo Massimi as a pendant for a picture by Caravaggio that the collector already owned. Although Cigoli's contract does not specify the subject of Caravaggio's picture, it was most likely The Crowning with Thorns commissioned by Massimi two years earlier and that has been identified by some scholars as the painting now in Prato. A thumbnail sketch at the bottom of Cigoli's preparatory drawing depicts a Crowning with Thorns that may reflect Massimi's Caravaggio. The drawing also illustrates Cigoli's attempt to bring his own more lyrical style into harmony with Caravaggio's particular brand of dramatic naturalism. He adopts a 'Caravaggesque' illumination, in which the three principal figures are brilliantly lit from the front while the soldiers behind them are almost absorbed by the inky darkness of the background. In the painting Christ's suffering is depicted with a subtle degree of realism, although the servant's facial features are grotesquely exaggerated in keeping with the traditional manner of depicting the subject. This is precisely the type of caricaturing that is dropped in the Ecce Homo attributed to Caravaggio, where the servant is rendered with the same naturalism as Christ.
Author: CIGOLI Title: Ecce Homo Time-line: 1551-1600 School: Italian Form: painting Type: religious |
---|
- Pages with non-numeric formatnum arguments
- Pages with complex technique templates
- Images from Web Gallery of Art
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- CC-PD-Mark
- PD-Art (PD-old-100)
- PD-Art missing SDC copyright status