File:Cornelis Saftleven, Søndagsbarnets syn, 1660, KMSsp435, Statens Museum for Kunst.jpg

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Cornelis Saftleven: The Vision of the Sunday Child  wikidata:Q20540978 reasonator:Q20540978
Artist
Cornelis Saftleven  (1607–1681)  wikidata:Q130039
 
Cornelis Saftleven
Description Dutch painter and graphic artist
Date of birth/death 1607 Edit this at Wikidata 5 June 1681 / 4 June 1681 Edit this at Wikidata
Location of birth/death Gorinchem Rotterdam
Work location
Rotterdam (1637–1681); Utrecht (1635–1637); Antwerp (1632–1634); Rotterdam (1632) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Søndagsbarnets syn

The Vision of the Sunday Child
title QS:P1476,da:"Søndagsbarnets syn"
label QS:Lda,"Søndagsbarnets syn"
Object type painting
object_type QS:P31,Q3305213
Description
Dansk: Søndagsbarnets syn
Tymon den Tovenaar
Date 1660
date QS:P571,+1660-00-00T00:00:00Z/9
Medium
Dansk: Olie på træ
Dimensions height: 390 mm (15.35 in); width: 495 mm (19.48 in); depth: 73 mm (2.87 in)
dimensions QS:P2048,390.0U174789
dimensions QS:P2049,495.0U174789
dimensions QS:P5524,73.0U174789
institution QS:P195,Q671384
Accession number
KMSsp435
Object history
  • Dansk: Placeringshistorie:

- hensat i magasin - 1872, juni: til Kronborg - 1907, nov.: tilbage

- 1969, 11. sept.: Sølvgade
Exhibition history
  • Women on Broomsticks and other Phantoms of the Night. Bruegel and Witchcraft in the Low Countries 1450-1700, Museum Catharijneconvent, 16 September 2015–9 March 2016
  • Women on Broomsticks and other Phantoms of the Night. Bruegel and Witchcraft in the Low Countries 1450-1700, Musea Brugge, 9 March 2016–25 June 2016
  • Barok - Ud af mørket, Sølvgade, 27 May 2023–5 November 2023
Inscriptions
Con Saftleven 1660. fe
Notes
  • Dansk: Værkdatering: 1660
  • Dansk: Tidligere Inventarnumre:

- Fortegnelser over Wahls og Morells Køb p. 128 - Kunstkammerets Inventar, tome II p. 79 nr. 438

Katalognumre: - Kat. 1662 nr. 226 - Kat. 1922 nr. 319

- Kat. 1946 nr. 635
References
  • Eva de la Fuente Pedersen (2023) Barok. 1600-tallets kunst i SMK's samlinger, omt. p. 36, afb. (farve) p. 37-39, katalog p. 214
  • Wolfgang Schulz (1982) Herman Saftleven 1609-1685: Leben und Werke mit einem kritischen Katalog der Gemälde und Zeichnungen, 191f (kat. 527, afb. 44), 65151
  • Bengt Ankerloo (1987) Häxornas Europa 1400 - 1700: historiska och antropologiska studier, detaille af magiker der besøger dæmonerne, geng. i farve p. 195, 90-324
  • Renilde Vervoort (2015) (Please provide the title of the work), afb. p. 61, omt. p. 61
Source/Photographer

Licensing

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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1681, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

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