File:Cornelius Norbertus Gijsbrechts, Trompe l'oeil Brevvæg med bartskær-instrumenter, 1668, KMS3060, Statens Museum for Kunst.jpg

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Cornelis Norbertus Gijsbrechts: Trompe l'oeil. Letter Rack with a Barber-Surgeon's Instruments  wikidata:Q20268747 reasonator:Q20268747
Artist
Cornelis Norbertus Gijsbrechts  (1630–1675)  wikidata:Q955671
 
Cornelis Norbertus Gijsbrechts
Description Spanish-Dutch painter
Date of birth/death circa  Edit this at Wikidata circa  Edit this at Wikidata
Location of birth Antwerp
Work period 1657 Edit this at Wikidata–1675 Edit this at Wikidata
Work location
Antwerp (1648–1660); Hamburg (1665–1668); Copenhagen (1668–1672); Regensburg (1664) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Trompe l'oeil. Brevvæg med bartskær-instrumenter

Trompe l'oeil. Letter Rack with a Barber-Surgeon's Instruments
title QS:P1476,da:"Trompe l'oeil. Brevvæg med bartskær-instrumenter"
label QS:Lda,"Trompe l'oeil. Brevvæg med bartskær-instrumenter"
Object type painting
object_type QS:P31,Q3305213
Genre still life Edit this at Wikidata
Description
Dansk: Trompe l'oeil. Brevvæg med bartskær-instrumenter
Dansk: Breve på en bræddevæg. Trompe l´oeil
Dansk: Stilleben. Trompe L'oeil. Breve på en bræddevæg
Date 1668
date QS:P571,+1668-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,250 mm (49.21 in); width: 1,139 mm (44.84 in); depth: 63 mm (2.48 in)
dimensions QS:P2048,1250.0U174789
dimensions QS:P2049,1139.0U174789
dimensions QS:P5524,63.0U174789
institution QS:P195,Q671384
Accession number
KMS3060
Object history
  • Dansk: Placeringshistorie:

- 1827: til Fredensborg - 1910, maj: fra Fredensborg - 1910, aug.: til Kultusministeriet. Christiansborg Slotsforvaltning - 1966, 4. nov.: Prins Jørgensgård 2, værelse 559

- 1978. 29. juni: hjemtaget til Restaurering
Exhibition history
  • Visual Deception, Nagoya City Art Museum, 9 January 2014–21 March 2014
  • Visual Deception, The Bunkamura Museum of Art, Tokyo, 8 August 2014–4 October 2014
  • Visual Deception, Hyogo Prefectural Museum of Art, Kobe, 14 October 2014–27 December 2014
  • Genuine Illusions. The Art of Trompe l'Oeil, Bucerius Kunst Forum, Hamburg, 13 February 2010–24 May 2010
  • Blændværker, Sølvgade, 24 September 1999–30 December 1999
  • Blændværker, National Gallery, 1 February 2000–30 April 2000
  • Clinch!, Sølvgade, 1 April 2004–28 November 2004
  • The Eye Deceived - Trompe l'oeil paintings by Cornelius Gijsbrechts, Mauritshuis, Den Haag, 4 February 2005–29 May 2005
  • At krydse grænser - Spot på Europæisk Kunst 1300-1800, Sølvgade, 16 August 2017–25 November 2017
Notes
  • Dansk: Værkdatering: 1668
  • Dansk: Tidligere Inventarnumre:

- Inventar 1690 p. 349 nr. 7 - Kunstkammerets Inventar, tome I p. 896 under nr .12-29

Katalognumre: - Stroe nr .494 - Kat. 1946 nr. 250

Spengler Fredensborg nr. 629
References
  • Olaf Koester (2000) Painted illusions: the art of Cornelius Gijsbrechts, omt. p.14, afb. p.16 (farve) kat.no.2, afb. (detalje, farve) p.17, omt. p.20, omt. p.21, omt. p. 57, 2000-432
  • Eva de la Fuente Pedersen (2005) Cornelius Gijsbrechts: og perspektivkammeret i Det Kongelige Danske Kunstkammer, omt. p. 96, afb. p. 99 (fig. 14), 2005-265
  • Poul Gammelbo (1956) Cornelius Norbertus Gijsbrechts og Franciskus Gijsbrechts, fort. 18, p. 132, 149 (ill.), 23796
  • Poul Gammelbo (1960) Dutch still-life painting from the 16th to the 18th centuries in Danish collections, no. 248 (afb.), 91-136
  • Olaf Koester (1999) Illusions: Gijsbrechts, pp. 10, 37, 41, 160 kat. nr. 10 (afb. i farve), 99-432
  • Mikkel Bogh (2009) Thomas Bang: apparatur til en ustabil verden, fig. 102, omt. p. 178, ill. p. 179, C 43554
  • Michael Braun (1994) Cornelis Norbertus Gijsbrechts und Franciscus Gijsbrechts, vol. II: nr. 1.1.24
  • Shunsuke Kijima (2014) (Please provide the title of the work), afb. p. 41. omt. p. 27
Source/Photographer

Licensing[edit]

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1675, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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