File:Cornelius Norbertus Gijsbrechts, Trompe l'oeil med en brevvæg med Frederik III's proklamation, 1672, KMS1901, Statens Museum for Kunst.jpg

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Cornelis Norbertus Gijsbrechts: Trompe l'oeil of a Letter Rack with Proclamation by Frederik III  wikidata:Q20540497 reasonator:Q20540497
Artist
Cornelis Norbertus Gijsbrechts  (1630–1675)  wikidata:Q955671
 
Cornelis Norbertus Gijsbrechts
Description Spanish-Dutch painter
Date of birth/death circa  Edit this at Wikidata circa  Edit this at Wikidata
Location of birth Antwerp
Work period 1657 Edit this at Wikidata–1675 Edit this at Wikidata
Work location
Antwerp (1648–1660); Hamburg (1665–1668); Copenhagen (1668–1672); Regensburg (1664) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Trompe l'oeil med en brevvæg med Frederik III's proklamation

Trompe l'oeil of a Letter Rack with Proclamation by Frederik III
title QS:P1476,da:"Trompe l'oeil med en brevvæg med Frederik III's proklamation"
label QS:Lda,"Trompe l'oeil med en brevvæg med Frederik III's proklamation"
Object type painting
object_type QS:P31,Q3305213
Genre still life Edit this at Wikidata
Description
Dansk: Trompe l'oeil med en brevvæg med Frederik III's proklamation
Dansk: En brevvæg
Date 1672
date QS:P571,+1672-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,455 mm (57.28 in); width: 1,830 mm (72.04 in)
dimensions QS:P2048,1455.0U174789
dimensions QS:P2049,1830.0U174789
institution QS:P195,Q671384
Accession number
KMS1901
Object history
  • Dansk: Placeringshistorie:

- 1905, Kuli: fra Fredensborg - 1905, November: til Trafikministeriet - 1926, 24. sept.: tilbage

- 1929, juni: til Kronborg
Exhibition history
  • Blændværker, Sølvgade, 24 September 1999–30 December 1999
  • Blændværker, National Gallery, 1 February 2000–30 April 2000
  • Clinch!, Sølvgade, 1 April 2004–28 November 2004
  • At krydse grænser - Spot på Europæisk Kunst 1300-1800, Sølvgade, 16 August 2017–25 November 2017
Inscriptions
C. N. Gijsbrechts. Ao 1672
Notes
  • Dansk: Værkdatering: 1672
  • Dansk: Tidligere Inventarnumre:

- Inventar 1690 p. 349 nr. 7 - Kunstkammerets Inventar tome I p. 896 nr. 12-29

Katalognumre: - Stroe nr. 474 - Spengler Fredensborg nr. 86 - Abildgaard nr. 338

- Kat. 1946 nr. 244
References
  • Knud Fabricius (1945) Holland-Danmark: forbindelsen mellem de to lande gennem tiderne, vol. II, p. 46, 16511
  • Olaf Koester (2000) Painted illusions: the art of Cornelius Gijsbrechts, Omt. p.16, omt. p.21, omt. p.22, afb. (farve) p.24 kat.no.4, afb. (detalje, farve) p.25, omt. p. 57, 2000-432
  • Poul Gammelbo (1956) Cornelius Norbertus Gijsbrechts og Franciskus Gijsbrechts, for. 28, p. 136, 23796
  • Miriam Milman (1982) Les illusions de la réalité: le trompe-l'oeil, farvegeng. p. 76, 65347
  • M. Milman (1982) Les illusions de la réalité: le trompe-l'oeil=trompe-l'oeil, farvegeng. p. 76, 65347
  • Poul Gammelbo (1960) Dutch still-life painting from the 16th to the 18th centuries in Danish collections, no. 251 (afb.), 91-136
  • Bernhard Geyer (cop 1994) Scheinwelten: die Geschichte der Perspektive, p. 72 (afb. i farve), 94-505
  • Patrick Mauriès (1996) Le trompe-l'oeil: de l'antiquité au XXe siècle, p. 146, ill. farve p. 155, 97-206
  • Jeroen Salman (1997) Een handdruk van de tijd: de almanak en het dagelijks leven in de Nederlanden 1500-1700, p. 98, ill. farve p. 99 fig. 95: det med rødt trykte stykke papir ca. midt i billedet identificeres som titelbladet på Nieropper-almanakken (før 1677), udgivet af Johannes (II) Stichter i Amsterdam, ill s/h p. 98, 97-520
  • Olaf Koester (1999) Illusions: Gijsbrechts, p. 22, 25, 41, 192f kat. 22 (afb.), 214, 99-432
  • Françoise Barbe-Gall (2007) Comprendre les symboles en peinture, ill. p. 286, detalje p. 288-289, C 42039
  • A.P. de Mirimonde (1971) Les peintres flamands de trompe l'oeil et de natures mortes au XVIIe siecle, et les sujets de musique: (Cornelis-Norbertus et Franciscus Gijsbrechts - F. Lemotte - G. van Bochoudt - Frans v.Hersecke), p. 249, fig. 30
Source/Photographer

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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1675, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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