File:DOMENICO DI BARTOLO.jpg
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Captions
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Summary
[edit]Domenico di Bartolo
(1400–1445) ![]() ![]() ![]() |
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Alternative names |
Domenico di Bartolo Ghezzi; Domenico Di Bartolo | ||
Description | Italian painter | ||
Date of birth/death |
circa 1400 date QS:P,+1400-00-00T00:00:00Z/9,P1480,Q5727902 |
circa 1447 date QS:P,+1447-00-00T00:00:00Z/9,P1480,Q5727902 | |
Location of birth/death | Asciano | Siena | |
Work location | |||
Authority file |
, Madonna of Humility, 1433, Wood, 93 x 59,5 cm,
Pinacoteca Nazionale
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Native name | Pinacoteca Nazionale di Siena | ||
Location | |||
Coordinates | 43° 18′ 56.25″ N, 11° 19′ 49.86″ E ![]() ![]() ![]() | ||
Established | 1932 ![]() | ||
Website | Pinacoteca Nazionale di Siena | ||
Authority file |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:57, 13 October 2005 | ![]() | 720 × 1,125 (163 KB) | Кузнецов (talk | contribs) | Madonna of Humility 1433 Wood, 93 x 59,5 cm Pinacoteca Nazionale, Siena |
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Metadata
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JPEG file comment | DOMENICO DI BARTOLO
(b. ca. 1400, Asciano, d. ca. 1447, Siena) Madonna of Humility 1433 Wood, 93 x 59,5 cm Pinacoteca Nazionale, Siena The impact of Masaccio's new vision had a limited impact on Siena, since for the most part, Siena maintained a distinct stylistic tradition of its own. A Sienese artist who does seem to have been affected by Masaccio, perhaps mediated by the art of Filippo Lippi, is Domenico di Bartolo. His art is exemplified by this signed and dated work of 1433, which contains passages of trompe l'oeil including the banderole with writing on it. The grouping of the figures and the roundness of the faces, particularly the one of the angel who tilts his head sharply, are reminiscent of Filippo Lippi's painting in Empoli. Like the paintings of Fra Filippo Lippi of apparently the same years, the coherent and rational light of Masaccio is not fully understood, but the massive figures and an interest in robust bodily proportions and in the nude provide a strong link to Masaccio. The motive of the Child sucking his fingers occurs in Masaccio's Pisa Altarpiece.
Author: DOMENICO DI BARTOLO Title: Madonna of Humility Time-line: 1401-1450 School: Italian Form: painting Type: religious |
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Structured data
Items portrayed in this file
depicts
image/jpeg
eb8857d6d8891195e35471f8e837d27db9db285f
166,639 byte
1,125 pixel
720 pixel
- Paintings of Madonna and Child in the Pinacoteca Nazionale (Siena)
- Paintings of Madonna and Child in Siena
- Renaissance paintings in Siena
- Violinists in paintings
- 1433 paintings
- Domenico di Bartolo
- Latin inscriptions in Siena
- Music-making angels
- Maestà
- Angels with vielles
- Vielle in paintings
- Madonna of humility in the 15th century