File:Donnet - Le Dauphiné, 1900 (page 342 crop).jpg

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Gaston Donnet: Le Dauphiné  :s:fr:Livre:Donnet - Le Dauphiné, 1900 (page 342 crop).jpg
Author
Gaston Donnet  (1867–1908)  wikidata:Q103850778 s:fr:Auteur:Gaston Donnet
 
Description French journalist
Date of birth/death 21 August 1867 Edit this at Wikidata September 1908 Edit this at Wikidata
Authority file
author QS:P50,Q103850778
Editor
Société Française d’Édition d’Art L.-H. May
Illustrator
Eugène Charpenay  (1842–)  wikidata:Q113951360
 
Alternative names
Eugene Charpenay
Date of birth 15 November 1842 Edit this at Wikidata
Location of birth Grenoble Edit this at Wikidata
Authority file
illustrator QS:P110,Q113951360
Title
Le Dauphiné
Edition 1
Description
Le Dauphiné, seigneurie indépendante, « transportée» au royaume de France au XIVe siècle, province d’Ancien régime, qui a été partagée à la Révolution entre les départements de l’Isère, de la Drôme et des Hautes-Alpes, est l’objet unique de cet imposant ouvrage.
Page overview 352
Language French
Publication date 1900
publication_date QS:P577,+1900-00-00T00:00:00Z/9
Place of publication
Paris
Source https://books.google.ca/books/about/Le_Dauphin%C3%A9.html?id=omK1Ka2tiL0C
Permission
(Reusing this file)
Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Licensing

[edit]
Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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current18:54, 30 November 2020Thumbnail for version as of 18:54, 30 November 2020939 × 853 (116 KB)Denis Gagne52 (talk | contribs)File:Donnet - Le Dauphiné, 1900.djvu cropped using CropTool with precise mode.

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