File:Entombment maitre de chaource.jpg
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English: This masterpiece is allotted to the Sculptor called “the Master of Chaource” 1515. This work is regarded as the most remarkable entombment. The seizing impression which emerges from this masterpiece does not leave indifferent any as of its visitors. Crypt of the church Saint Jean-Baptiste de Chaource,Aube.
The name Maître de Chaource is used by art historians to refer to an artist with an enigmatic and controversial identity. The name is often associated with Troyes artist Jacques Bachot, with a number of orders surviving to this day to prove his existence. He is the author of several masterpieces. His style was sometimes imitated without to reach the emotional intensity of the Master. The style of the Maître de Chaource is characterised by its indwardness and restraint. His subjects have a dignified appearance, are of ample build and have faces that belie reserved melancholy and subtle psychological variety. The Master's aesthetic ideal is characterised throught the common features of his sculptures: large eyes, a perfectly straight nose and an understated mouse. His work includes the Sainte Marthe at the church of Madeleine in Troyes, The Vierge de Pitié in Bayel, the Deposition in Villeneuve l'archevêque (Yonne) in 1528 and the entombment in Chaource Sculpted in 1515.Français : Cette oeuvre est considérée comme la plus remarquable mise au tombeau. L'impression saisissante qui se dégage de ce chef d'oeuvre ne laisse indifférent aucun des visiteurs entrant dans la crpyte de l'église Saint Jean-Baptiste de Chaource (Aube).
Le nom Maître de Chaource a été retenu par les historiens d'art pour désigner un artiste dont l'identité demeure énigmatique et controversée. Il peut être identifié au troyen Jacques Bachot dont l'activité est attestée par de nombreuses commandes. Il est l'auteur de plusieurs chefs-d'oeuvre. Son style a parfois été imité sans pour autant atteindre l'intensité émotionnelle du Maître. Le style du Maître de Chaource se caractérise par son intériorité et sa retenue. Ses personnages à l'allure digne, aux volumes denses, présentent des visages empreints d'une mélancolie réservée et d'une subtile variété psychologique. L'idéal esthétique du Maître s'exprime ainsi dans des traits réguliers : des yeux plutôt grands, un nez parfaitement droit, une bouche discrète. La |
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| Source | Own work |
| Author | Filsdepandu |
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Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. |
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| current | 22:54, 19 December 2009 | | 3,216 × 2,136 (4.69 MB) | Filsdepandu (talk | contribs) | {{Information |Description={{en|1=This masterpiece is allotted to the Sculptor called “the Master of Chaource” 1515. This work is regarded as the most remarkable entombment. The seizing impression which emerges from this masterpiece does not leave ind |
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