File:Frederick Tudgay - American Transatlantic Packet BYZANTIUM.jpg
Original file (1,748 × 1,167 pixels, file size: 222 KB, MIME type: image/jpeg)
Captions
Summary
[edit]American Transatlantic Packet Byzantium ( ) | |
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Artist |
Frederick Tudgay (1841-1921) |
Title |
American Transatlantic Packet Byzantium |
Object type |
painting object_type QS:P31,Q3305213 |
Description |
Two-Position Ship Portrait of American Transatlantic Packet Byzantium |
Date |
1861 date QS:P571,+1861-00-00T00:00:00Z/9 |
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensions |
height: 24 in (60.9 cm); width: 36 in (91.4 cm) dimensions QS:P2048,24U218593 dimensions QS:P2049,36U218593 |
Inscriptions | Signed LR: F. Tudgay 1861 |
Notes |
Smart and sailing into the Strait of Dover, the Transatlantic Packet Liner BYZANTIUM of the New Line arrives in the Southeast British Coast to bring her passengers and cargoes to the Island Empire. Flying her owners’, Dunham & Co, house flag of theirNew Line of Atlantic packet ships, the Company was actually the third such line to carry this designation. Their partner in London, Charles Gumm, was a bit more successful even in this later stage of transatlantic liners in contracting passengers and cargoes bound for America. The 1048-ton Byzantium had served prior to the 1860s for the Brigham Line sailing between New York, New Orleans and Natchez, and for the short-lived Eastern Line of New York of Songey, Smith & Co. in 1858 to Liverpool. Throughout it all, she was captained by one gentleman: American W.R. Hilton, who remained a principal partner in all aspects of the ship. It is Hilton seen stalking the quarter deck near the rail, along with numerous passengers and crew in this painting. The work has the tight deck detail that is signature of Frederick Tudgay. It is also most likely that Captain Hilton was the direct commissioner of this painting from the artist. |
Source/Photographer | vallejogallery.com |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:46, 4 October 2011 | 1,748 × 1,167 (222 KB) | Botaurus (talk | contribs) | == {{int:filedesc}} == {{Artwork |artist=Joseph Heard (1799-1859) |title=''American Transatlantic Packet „Byzantium“'' |description=Two-Position Ship Portrait |date={{date|1861}} |medium= {{Technique|oil|canvas}} |dimensions={{Size|in|24|36}} |insti |
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Metadata
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Camera manufacturer | Canon |
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Camera model | Canon EOS 10D |
Exposure time | 1/1 sec (1) |
F-number | f/8 |
ISO speed rating | 200 |
Date and time of data generation | 00:00, 1 January 1980 |
Lens focal length | 20 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Adobe Photoshop CS Windows |
File change date and time | 13:31, 19 April 2005 |
Y and C positioning | Centered |
Exif version | 2.21 |
Date and time of digitizing | 00:00, 1 January 1980 |
Image compression mode | 3 |
APEX shutter speed | 0 |
APEX aperture | 6 |
APEX exposure bias | 1 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Average |
Flash | Flash did not fire |
Color space | Uncalibrated |
Focal plane X resolution | 3,443.9461883408 |
Focal plane Y resolution | 3,442.0168067227 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Scene capture type | Standard |