File:Hanging scroll, painting (BM 1881,1210,0.1754 4).jpg
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Captions
Captions
Summary
[edit]hanging scroll, painting
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Title |
hanging scroll, painting |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Painting, hanging scroll. Courtesan kneeling on thin summer quilt, holding pillow on black lacquer stand in her lap; untied long scarlet crepe silk sash scattered around, and pulling arm from sleeve of tie-dyed blue and white robe; with flushed face and few stray strands of hair trailing from otherwise stiff arrangement. Ink and colour on silk. Signed and sealed.
[Jap.Ptg.1588, image (T)] - |
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Date | 1865-1868 (c.) | |||||||||||||||||||||||
Medium |
silk medium QS:P186,Q37681 |
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Dimensions |
Height: 96 centimetres
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Collection |
institution QS:P195,Q6373 |
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Current location |
Asia |
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Accession number |
1881,1210,0.1754 |
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Notes |
Clark 1992 In this erotically charged work Yoshitoshi shows a courtesan kneeling on a thin summer quilt, holding a pillow on a black lacquer stand in her lap. She has already untied the long scarlet crepe silk sash, which lies scattered around her, and is pulling her arm from the sleeve of her tie-dyed blue and white robe. With flushed face and a few stray strands of hair trailing from an otherwise stiff arrangement, no doubt it is the customer on whom she fixes her gaze. Even compared with the sensuality of Kunisada and Eisen (no. 149) Yoshitoshi's painting is remarkably candid. A sense of arrested movement is conveyed in the informality of the pose and the piercing glance, and a nervous visual excitement created by the vivid blue dots of the robe and the black diamond weave of the quilt. The characteristic drawing of the face with a long aquiline nose and jutting lower lip and jaw is found in works by all artists of the Utagawa school, including Yoshitoshi's teacher Kuniyoshi. Literature: Anderson, William, 'Descriptive and Historical Catalogue of Japanese and Chinese Paintings in the British Museum'. London, Trustees of the British Museum, 1886, no. 1754. '(Hizo) Ukiyo-e taikan' ('Ukiyo-e Masterpieces in European Collections'), ed. Narazaki Muneshige. Vol. 1, Tokyo, Kodansha, 1987, no. 182. Smith, Lawrence, 'Japanese Art: Masterpieces in the British Museum', with Victor Harris and Timothy Clark. London, British Museum Publications, 1990, no. 203. Tokyo-to Bijutsukan (eds), 'Daiei Hakubutsukan hizo Edo bijutsu ten'. Exh. cat., 9 Aug.-24 Sept. 1990, no. 34. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/A_1881-1210-0-1754 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
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current | 02:48, 6 May 2020 | ![]() | 634 × 1,600 (126 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Utagawa Kuniyoshi 1865 image 5 #106 |
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