File:Hanging scroll, painting (BM 1913,0501,0.385 7).jpg
Original file (819 × 1,600 pixels, file size: 157 KB, MIME type: image/jpeg)
Captions
Summary
[edit]hanging scroll, painting ( ) | ||||||||||||||||||||||||
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Artist |
Painted by: Kubo Shunman (窪俊満)
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Title |
hanging scroll, painting |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Painting, hanging scroll. Courtesan and attendants, dressed in matching new robes decorated with cranes flying over tops of pine trees, passing in front of New Year display of pine boughs and bamboo. With poem. Ink and colour on silk. Signed, sealed and inscribed.
[Jap.Ptg.1419, image (Ta)] - |
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Date |
between 1789 and 1821 date QS:P571,+1500-00-00T00:00:00Z/6,P1319,+1789-00-00T00:00:00Z/9,P1326,+1821-00-00T00:00:00Z/9 |
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Medium |
silk medium QS:P186,Q37681 |
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Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Asia |
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Accession number |
1913,0501,0.385 |
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Notes |
Clark 1992 The auspicious New Year 'kyoka' ('crazy verse') composed and inscribed on the painting by Ota Nampo (1749-1823), doyen of popular cultural circles, may be translated: A New Year engagement Is particularly expensive So the hired comedians Are practically in heaven - Yoshiwara in spring. The 'first engagement' ('hatsukai') of a courtesan at the New Year was an especially lavish affair, so the comedians hired to entertain at parties ('massha' or 'hokan') stood to make a lot of money. There is also a string of word-play/associations involving the terms 'massha', which can also mean a small 'subsidiary shrine'; 'kamiyo' ('the age of the Gods', 'heaven'); and the idea that the Yoshiwara pleasure quarter at the New Year holiday was like heaven on earth. The same inscription appears on another painting by Shumman, 'Standing Courtesan Reading a Letter' (Tanaka 1911-13, vol. 2, pls not numbered). As the signature suggests, Shumman took his lead from the poem and filled the painting, too, with auspicious New Year imagery: decked out in matching new robes with a lucky pattern of cranes flying over the tops of pine trees, the courtesan and her 'kamuro' attendant are on their way to the first engagement of the New Year, passing in front of a New Year display of fresh pine boughs and bamboo. In her hair, too, the 'kamuro' has arranged the first few red plum blossoms, with some tiny sprigs of pine. Broad strokes of ink wash have been skilfully used on the courtesan's surcoat to suggest the glossiness of the black silk. Tanaka Tatsuya has suggested that the circular 'Shumman' seal on the present painting was used from the late Temmei (1781-9) to the early Bunka (1804-18) eras and that from mid-Bunka onwards Shumman switched to a different circular 'Shumman' seal, one which includes the three strokes of the water radical on the left-hand side of the character 'man' ('NU', vol. 5 (1983), pp. 77, 78). The face here has the pointed, slightly turned-up nose and narrow eyes which taper to slightly upturned points characteristic of Shumman's mature works. In a second version of this subject by Shumman the composition is reversed and the courtesan has a 'yoko-hyogo' hairstyle ('Ukiyo-e taisei', vol. 8 (1930), no. 143). Literature: '(Hizo) Ukiyo-e taikan' ('Ukiyo-e Masterpieces in European Collections'), ed. Narazaki Muneshige. Vol. 1, Tokyo, Kodansha, 1987, no. 124. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/A_1913-0501-0-385 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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current | 03:01, 11 May 2020 | 819 × 1,600 (157 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Eroticism in the British Museum 1789 image 8 of 9 #147/1,471 |
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Camera manufacturer | Epson |
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Camera model | Exp10000XL |
Width | 6,313 px |
Height | 3,510 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Image width | 3,115 px |
Image height | 6,086 px |
Date and time of digitizing | 16:54, 15 February 2007 |
File change date and time | 10:46, 20 February 2007 |
Software used | Adobe Photoshop CS2 Windows |
Date metadata was last modified | 10:46, 20 February 2007 |