File:Jester Knight Christoph by Hans Wertinger (1515, Thyssen-Bornemisza, Madrid).jpg
Dosyeya orjînal (1599 × 3000 pixel, mezinbûnê data: 5,28 MB, MIME-typ: image/jpeg)
Captions
Danasîn
[biguhêre]Hans Wertinger: The Court Jester known as "Knight Christoph" | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q3127027 |
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Sernav |
The Court Jester known as "Knight Christoph" label QS:Len,"The Court Jester known as "Knight Christoph""
label QS:Les,"El bufón llamado "el caballero Cristóbal"" |
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Object type | tablo | ||||||||||||||||||||||||||
Danasîn |
Hans Wertinger was a German painter active in the first third of the 16th century. His work evolved from an early phase, characterised by a use of late Gothic elements, to a mature style in which the influence of Dürer, Altdorfer and the Danube School is evident. This latter influence is manifested in the increasing emphasis on landscape in Wertinger’s paintings and in this respect he became a reference point for other artists from the area. The present canvas is one of the first examples of a German, full-length portrait. The sitter is depicted in profile with the body slightly turned, posing against a low wall that separates the foreground space from the landscape. Elegantly dressed, this court jester places his weight on one leg, firmly grasping his sword and clenching his other fist. The date of the painting is known from a 17th-century inscription on the reverse in which the sitter is also named as “The Knight Christoph”, court jester to the Prince-Bishop of Freising, Count Palatine of the Rhine and Duke of Bavaria. It is thought that the portrait may have been in the ducal collection. Hans Wertinger, an artist whose early activity remains largely unknown, may have trained in an Augsburg workshop or in Munich. The first available information on the artist dates from 1491 when he was made a citizen of Landshut. Between 1497 and 1499 he received various commissions from the Prince-Bishop of Freising for designs for stained glass in the city’s cathedral, while his first documented work, a panel with the life of Saint Sigismund, dates from 1498.Wertinger also received commissions from the Elector Frederick III of Saxony. He was a versatile artist who worked not only in mural and easel painting but also in miniature and illustration, producing designs for prints. In Landshut, Wertinger enjoyed the protection of Duke Louis X of Bavaria-Landshut and was named court painter to the Duke in 1518, the period when he was most active as a portraitist. The identity of the present sitter and the date of the painting are known from a 17th-century inscription on the reverse of the panel which refers to the sitter’s name and identity: “Knight Christoph”, court jester to the Prince-Bishop of Freising, Count Palatine of the Rhine and Duke of Bavaria. The inscription may have been copied from one on the original frame (now lost) or have been at the lower edge of the painting, as suggested by Feuchtmayr, an idea not shared by Lübbeke. The panel is very probably the one that appears as number 3301 in an inventory of 1598 compiled by J. B. Fickler, in which it is recorded alongside other portraits of buffoons from the ducal collection. Knowing the sitter’s identity enables us to understand the type of presentation that Wertinger used as well as the sitter’s pose. It should be mentioned that this is one of the first full-length portraits of this type known in German art. The buffoon poses outdoors in front of a low wall that divides the pictorial space with a landscape in the distant background. Knight Christoph is shown in more than semi-profile, looking to the left and wearing elegant clothes although there is a sense of disjunction between his strong, robust body and his aged face. Resting his weight firmly on one of his legs with the other in a relaxed position, Knight Christoph grasps the handle of his sword while his other fist is clenched, creating a similarity of gestures between the two hands. The upper corners of the canvas have discreet decorative elements that visually lead the eye into the composition, a device often found in Wertinger’s early works in which he included festoons, garlands, vine tendrils and decorative frames. |
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Dîrok |
1515 date QS:P571,+1515-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
Bilindahî: 113 cm; panî: 61,5 cm dimensions QS:P2048,113U174728 dimensions QS:P2049,61.5U174728 |
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Berhevok |
institution QS:P195,Q176251 |
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Accession number |
INV. Nr. 434 (1934.32) |
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Object history | “Knight Christoph” was in the ducal collection in Munich and in the collection of Leonie Freiin von Boyneburgh in Wielfingerode. It entered the Thyssen-Bornemisza collection in 1934 from the Berlin art market. | ||||||||||||||||||||||||||
Çavkanî | http://www.museothyssen.org/en/thyssen/ficha_obra/53 | ||||||||||||||||||||||||||
Source/Photographer | Museo Thyssen-Bornemisza, Madrid |
Lîsans
[biguhêre]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Dîrok/Katjimêr | Wêneyê biçûk | Mezinahî | Bikarhêner | Şirove | |
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niha | 14:14, 16 nîsan 2017 | 1599 x 3000 (5,28 MB) | Elsbeere (gotûbêj | beşdarî) | same source, new url: https://www.museothyssen.org/node/16661; file now larger available | |
20:10, 29 tîrmeh 2014 | 539 x 1000 (148 KB) | Shakko (gotûbêj | beşdarî) | {{Information |Description=Hans Wertinger The Court Jester known as "Knight Christoph" 1515 Oil on canvas 113 x 61.5 cm Museo Thyssen-Bornemisza, Madrid INV. Nr. 434 (1934.32) Hans Wertinger was a German painter active in the first third of the 16th c... |
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Çêkerê kamerayê | Hasselblad |
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Modela kamerayê | Hasselblad H3D II-39 |
Nûser | Museo Thyssen- Bornemisza |
Exposure time | 4.294.967/536.870.912 sanî (0,007999999448657) |
F-number | f/9,5 |
ISO speed rating | 100 |
Dîrok û wextê çêkirina daneyê | 10:17, 27 çiriya pêşîn 2008 |
Lens focal length | 80 mm |
Headline | Museo Thyssen- Bornemisza |
Credit/Provider | Museo Thyssen- Bornemisza, Madrid. |
Navê wêne |
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Sernavê kurt |
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Panbûn | 3666 px |
Dirêjbûn | 6876 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Beralîkirin | Normal |
Number of components | 3 |
Averûtiya asoyî | 300 dpi |
Averûtiya stûnî | 300 dpi |
Data arrangement | chunky format |
Bernameya bikarhatî | Adobe Photoshop CS6 (Macintosh) |
Roj û wextê guhartina dosyeyê | 15:21, 19 kanûna pêşîn 2016 |
Exposure Program | Manuwel |
Versiyona exif | 2.1 |
Dema pencekîkirinê | 10:17, 27 çiriya pêşîn 2008 |
APEX shutter speed | 6,9657842814922 |
APEX aperture | 6,4958550259471 |
Metering mode | Center weighted average |
Flaş | Flash did not fire |
Navbera rengê | Uncalibrated |
Unique ID of original document | uuid:3611FA8BE0A4DD11B36BD5E9E4BE4590 |
Date metadata was last modified | 16:21, 19 kanûna pêşîn 2016 |
Keywords | 1934.32 |
Contact information | derechos@museothyssen.org
www.museothyssen.org
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IIM version | 2 |
Structured data
digital representation of îngilîzî
exposure time îngilîzî
0,00799999944865703582 sanî
f-number îngilîzî
9,5
focal length îngilîzî
80 milîmetre
ISO speed îngilîzî
100
media type îngilîzî
image/jpeg
wêne kurdî (kurmancî) (transliterated)
- Hans Wertinger
- Paintings by Hans Wertinger with fur
- German paintings in the Museo Thyssen-Bornemisza
- Danube School
- 16th-century portrait paintings in the Museo Thyssen-Bornemisza
- 1510s paintings in Spain
- 1510s portrait paintings from Germany (male)
- 1515 oil on canvas paintings
- 1515 portrait paintings of men
- 16th-century oil portraits of standing men at full length
- Male black shoes in portrait paintings
- Renaissance portrait paintings of men holding swords
- Portraits of jesters
- Portrait paintings of standing men with right hand on hip
- Male fur clothing in art
- Fur fashion in 1515
- Codpieces