File:La pittura tra gli eccitamenti, e gli applausi de geni si prepara a eternar la memoria (BM 2000,0521.42).jpg
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Captions
Summary
[edit]La pittura tra gli eccitamenti, e gli applausi de geni si prepara a eternar la memoria ( ) | ||||||||||||||||||||||||
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Artist |
Print made by:Giovanni David |
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Title |
La pittura tra gli eccitamenti, e gli applausi de geni si prepara a eternar la memoria |
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Description |
English: An allegory of painting; female personification of painting seated outside before easel among classical ruins, with three putti assisting; etched title-page for a collection of prints; in this case of the Roman school, with a separate engraved border below within which is a manuscript description of the album's contents in pen and ink. c.1783
Etching |
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Depicted people | Associated with:Count Giacomo Durazzo | |||||||||||||||||||||||
Date |
between 1775 and 1783 date QS:P571,+1750-00-00T00:00:00Z/7,P1319,+1775-00-00T00:00:00Z/9,P1326,+1783-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions | Height:308 millimetres Height:482 millimetres Width:231 millimetres(image) Width:321 millimetres(sheet) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
2000,0521.42 |
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Notes | This is one of two title-pages offered for sale by Boerner (see the dealer cat. C.G. Boerner, "Etchings by Giovanni David", 2000, cat.no.19a). Each consisted of an etched plate printed in the top centre of a large sheet, underneath which was written in ink by a calligrapher the content of that particular album. Both must come from separate volumes of the same collection, and David's print was etched with this purpose in mind (cf the etched vignette by Frezza made for the albums of the collection of John V of Portugal). Since David was patronised by Conte Jacopo Durazzo, the most likely (but as yet not proven) collection for which these were made was Durazzo's own collection, which was broken up and sold at auction in Stuttgart on 19 November 1872. The BM had previously tried but failed to buy the entire collection (see letter books). | |||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_2000-0521-42 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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current | 19:07, 4 May 2020 | 1,200 × 1,600 (293 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (User:Copyfraud/BM) |
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