File:Madame de Pompadour by François-Hubert Drouais.jpg
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摘要[编辑]
弗朗索瓦-于贝尔·德鲁埃:Madame de Pompadour at her Tambour Frame | |||||||||||||||||||||||||||
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艺术家 | |||||||||||||||||||||||||||
标题 |
English: Portrait of Madame de Pompadour at her Tambour Frame
Français : Madame de Pompadour à son métier à broder (1721-1764) |
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物体类型 | 畫作 | ||||||||||||||||||||||||||
藝術類型 | 肖像 | ||||||||||||||||||||||||||
描绘人物 | 龐巴度夫人 | ||||||||||||||||||||||||||
日期 |
在1763年到1764年之间 date QS:P571,+1763-00-00T00:00:00Z/8,P1319,+1763-00-00T00:00:00Z/9,P1326,+1764-00-00T00:00:00Z/9 |
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表现形式 |
布面油画 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:217厘米;宽度:156.8厘米 dimensions QS:P2048,217U174728 dimensions QS:P2049,156.8U174728 |
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藏于 |
institution QS:P195,Q180788 |
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登录号 |
NG6440 (国家美术馆) |
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参考 |
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来源/摄影师 | English Wikipedia, uploaded there by user Wetman | ||||||||||||||||||||||||||
其他版本 |
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许可协议[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2005年12月16日 (五) 21:13 | 853 × 1,202(143 KB) | Sir Gawain(留言 | 贡献) | * Description: Madameme de Pompadour (National Gallery, London) * Date: 1763-64 * Painter: François-Hubert Drouais * Source: English Wikipedia, uploaded there by user Wetman {{PD-art}} |
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JPEG文件备注 | DROUAIS, François-Hubert
(b. 1727, Paris, d. 1775, Paris) Madame de Pompadour 1763-64 Oil on canvas, 217 x 157 cm National Gallery, London The son of a painter, Hubert Drouais, François-Hubert became a successful portraitist at the French court. He was especially fashionable for his likenesses of aristocratic children dressed as gardeners or Savoyard beggars to emphasise their 'natural' or 'filial' characters (little Savoyard hurdy-gurdy players brought their earnings back every year to their mothers in the Haute Savoie). This sumptuous portrait of Madame de Pompadour, Louis XV's mistress, similarly employs the imagery of bourgeois virtue and industry to flatter a great lady. In this case, however, the fiction is less pronounced: the Marquise de Pompadour had been born plain Mademoiselle Poisson. Pretty, charming, good-natured and well-educated, at the age of nine she had been told by a fortune-teller that she would reign over the heart of a king - after which her family called her Reinette, 'little Queen' (twenty years later she was to reward the woman with the gift of an enormous sum, six hundred livres). Married to the nephew of her mother's rich lover, she began to entertain Parisian intellectuals at her salon; Voltaire is the best-known of the 'philosophes' whom she captivated and supported. She soon attracted the eye of the king, Louis XV, and by 1745, separated from her husband, she was installed at Versailles and ennobled. To her enemies she remained always a Parisian bourgeoise, member of a class which was enriching itself, as they saw it, at their expense. She kept the friendship and interest of the king, however, even after their sexual relationship had ended in 1751-2, by her affection, her charm, and above all through her interest in music and the arts. Drouais's painting faithfully records her pursuits, surrounding her with books, a mandolin, an artist's folio, her beloved pet dog, and dressing her in a lavishly embroidered silk dress edged with yards of superb lace. Her embroidery - more accurately, tambouring - wools are kept in an elaborate work-table in the latest fashion, with Sèvres plaques (Madame de Pompadour had earlier taken the porcelain factory of Vincennes under her protection and transferred it to Sèvres, near one of her houses). She looks up at the viewer as she might have done at the king when he came into her apartment through their private staircase; a woman no longer young, yet still with that 'wonderful complexion' and 'those eyes not so very big, but the brightest, wittiest and most sparkling', as praised by a contemporary. Yet there is more here than we can see at first sight. As his signature tells us, Drouais painted the Marquise's face from the life in April 1763 on a separate rectangle which was then joined to the rest of the canvas. She must have approved of the likeness for other, half-length portraits were commissioned from Drouais. But this picture was finished in May 1764, some weeks after her death on 5 April at the age of 43. All her life she had suffered from ill-health, and even in her last illness stoically wore rouge and smiled at everybody. Drouais's suave and grand yet somehow intimate portrait installs her in our memory as she would have wished to be remembered.
Author: DROUAIS, François-Hubert Title: Madame de Pompadour Time-line: 1701-1750 School: French Form: painting Type: portrait |
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