File:Maria Ezcurra, Parasites, 2012 (7341816272).jpg

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Installation

Zone 13: Centre Eaton de Montréal

La crinoline fait partie de ces objets qui ont contrôlé le corps et les activités des femmes dans le passé. La fin de cette mode n’a pourtant pas mis fin aux contraintes que les femmes endurent afin de se conformer à une image dite « idéale ». Parasites réfère à la relation entre l’habit et celui qui le porte ; l’un ne peut exister sans l’autre. Une crinoline au sol n’est qu’une série de cerceaux recouverts de tissu, mais une fois sur le corps, elle définit son hôte et prend sens par sa fonction.



The crinoline is an object that has controlled the body and activities of women in the past. But the end of this fashion has not necessarily meant the liberation of women from the physical constraints that transform the body into an ideal entity. Parasites refers to the relationship that exists between the clothes and the people who wear them. A crinoline is nothing but a series of hoops covered in textile when on the floor, but once worn, it comes to define itself and its host.


<a href="http://artsouterrain.ca/edition-2012/artistes/event-120/" rel="nofollow">artsouterrain.ca/edition-2012/artistes/event-120/</a>
Date
Source Maria Ezcurra, Parasites, 2012
Author art_inthecity from Montréal, CA
Camera location45° 30′ 11.51″ N, 73° 34′ 18.75″ W Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

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This image was originally posted to Flickr by art_inthecity at https://flickr.com/photos/57286185@N04/7341816272 (archive). It was reviewed on 6 May 2019 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0.

6 May 2019

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current16:05, 6 May 2019Thumbnail for version as of 16:05, 6 May 20194,576 × 3,056 (5.19 MB)Mindmatrix (talk | contribs)Transferred from Flickr via #flickr2commons

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