File:MemlingJudgmentCentre.jpg
原始文件 (843 × 1,200像素,文件大小:195 KB,MIME类型:image/jpeg)
说明
摘要[编辑]
汉斯·梅姆林:最后的审判 (梅姆林) | |||||||||||||||||||||||||
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艺术家 |
artist QS:P170,Q106851 |
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标题 |
《最后的审判 (梅姆林)》 label QS:Lit,"Trittico di Danzica"
label QS:Lcsb,"Slédny Sąd"
label QS:Lfr,"Le Jugement dernier"
label QS:Lru,"Страшный суд"
label QS:Lde,"Das Jüngste Gericht"
label QS:Lpt,"O Juízo Final"
label QS:Lmt,"L-Aħħar Ġudizzju"
label QS:Lhy,"Վերջին դատաստան"
label QS:Lzh,"最后的审判 (梅姆林)"
label QS:Lms,"Pengadilan Terakhir (Memling)"
label QS:Lsl,"Poslednja sodba (Memling)"
label QS:Lja,"最後の審判"
label QS:Lzh-sg,"最后的审判 (梅姆林)"
label QS:Lan,"Lo Chudicio final (Hans Memling)"
label QS:Lpl,"Sąd Ostateczny"
label QS:Luk,"Страшний суд"
label QS:Lnl,"Het laatste oordeel"
label QS:Les,"El Juicio Final"
label QS:Lel,"Ημέρα της κρίσης (Μέμλιγκ)"
label QS:Lvi,"Phán quyết cuối cùng (Memling)"
label QS:Lcs,"Poslední soud"
label QS:Lca,"El Judici Final" |
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物体类型 | 三联画 / 有翼祭坛 / cycle of paintings | ||||||||||||||||||||||||
艺术类型 | 宗教艺术 | ||||||||||||||||||||||||
描述 |
English: attributed to Hans Memling (c.1440-1494) "Last Judgement Triptych" (central panel) in Muzeum Narodowe, Gdansk, Poland. http://www.wga.hu/preview/m/memling/1early3/02last2.jpg |
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日期 | 约1467-1471 | ||||||||||||||||||||||||
表现形式 | 板上油画medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 | ||||||||||||||||||||||||
尺寸 |
高度:242厘米;宽度:180.8厘米 dimensions QS:P2048,242U174728 dimensions QS:P2049,180.8U174728 |
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藏于 |
institution QS:P195,Q1968661 |
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收藏史 | |||||||||||||||||||||||||
参考 | |||||||||||||||||||||||||
规范控制 | |||||||||||||||||||||||||
来源/摄影师 |
Web Gallery of Art: 图像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/memling/1early3/02last2.html" |
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其他版本 |
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许可协议[编辑]
Public domainPublic domainfalsefalse |
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这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
原始上传日志[编辑]
- 2006-06-16 10:18 Stroika 843×1200× (199986 bytes) attributed to [[Hans Memling]] (c.1440-1494) "Last Judgement Triptych" (central panel) in Muzeum Narodowe, Gdansk, Poland. http://www.wga.hu/preview/m/memling/1early3/02last2.jpg {{PD-Art|PD-old-100}}
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当前 | 2009年5月28日 (四) 05:15 | 843 × 1,200(195 KB) | Quantumobserver(留言 | 贡献) | {{Information |Description={{en|attributed to en:Hans Memling (c.1440-1494) "Last Judgement Triptych" (central panel) in Muzeum Narodowe, Gdansk, Poland. http://www.wga.hu/preview/m/memling/1early3/02last2.jpg}} |Source=Transferred from [http://en.w |
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JPEG文件备注 | MEMLING, Hans
(b. ca. 1440, Seligenstadt, d. 1494, Bruges) Last Judgment Triptych (central) 1467-71 Oil on wood, 221 x 160 cm Muzeum Narodowe, Gdansk Christ appears in evangelical guise seated on a rainbow, his feet resting on a gleaming golden globe, surrounded by the twelve apostles and the intercessors Mary and John the Baptist. They are all pictured on a cloud that continues left to the gates of paradise and right to the mouth of hell. The traditional angels with the instruments of the Passion hover in pairs above this divine assembly, while the four angels blowing their apocalyptic trumpets float somewhat randomly above the earth, one of them even appearing high up in the clouds of the right wing. The lily of mercy and the red-hot sword of justice on either side of Christ's head correspond symbolically with the upward gesture of blessing made by his right hand, and the downward one by his left. The rainbow separates the two worlds and their different orders; the ethereal golden space of God's Kingdom appears at the top, while the earth, represented as a wide plain bordered in the distance by a chain of mountains, is shown at the bottom. This will be the valley of Josaphat, which, according to the apocryphal authors (Honorius of Autun, James of Voragine) would be the site of the Last Judgement. The time of day is fixed by the dark blue-green night sky. The figure of St Michael stands on the earth directly below Christ, on the dividing line between the green soil to the left and the barren brown plain to the right. Holding the scales in his right hand, he uses the crosier in his left to prick the flesh of the damned soul, as if to prod him towards the mouth of hell.
Author: MEMLING, Hans Title: Last Judgment Triptych (central) Time-line: 1451-1500 School: Flemish Form: painting Type: religious |
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