File:Piero - The Flagellation.jpg
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Captions
Summary
Object
Piero della Francesca: Flagellation of Christ | ||||||||||||||||||||||||||||||
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Artist |
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Author |
Piero della Francesca |
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Title |
Flagellation of Christ label QS:Les,"La flagelación (Piero della Francesca)"
label QS:Lfr,"La Flagellation du Christ"
label QS:Lhr,"Bičevanje Krista (Piero della Francesca)"
label QS:Lru,"Бичевание Христа"
label QS:Lbr,"Skourjezañ Jezuz (Piero della Francesca)"
label QS:Lde-ch,"Die Geisselung Christi"
label QS:Leo,"La Vipado de Kristo"
label QS:Lpt,"A Flagelação de Cristo"
label QS:Len-gb,"Flagellation of Christ"
label QS:Lsv,"Kristi gisslande"
label QS:Lbg,"Бичуването на Христос (Пиеро дела Франческа)"
label QS:Llt,"Kristaus nuplakimas"
label QS:Lro,"Biciuirea lui Cristos"
label QS:Lja,"キリストの鞭打ち"
label QS:Ltr,"İsa'nın Kırbaçlanması (Piero della Francesca)"
label QS:Lsl,"Bičanje Kristusa (Piero della Francesca)"
label QS:Lth,"พระเยซูถูกเฆี่ยน"
label QS:Lpl,"Sen św. Hieronima"
label QS:Lhe,"הלקאתו של ישו (פיירו דלה פרנצ'סקה)"
label QS:Lnl,"Flagellation of Christ"
label QS:Lit,"Flagellazione di Cristo"
label QS:Larz,"جلد المسيح (لوحه)"
label QS:Lsh,"Bičevanje Krista"
label QS:Len,"Flagellation of Christ"
label QS:Len-ca,"Flagellation of Christ"
label QS:Lca,"La flagel·lació de Crist" |
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Object type | painting | |||||||||||||||||||||||||||||
Genre | religious art | |||||||||||||||||||||||||||||
Description |
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Date |
between circa 1468 and circa 1470 date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1468-00-00T00:00:00Z/9,P1326,+1470-00-00T00:00:00Z/9,P1480,Q5727902 Early Renaissance (1420s date QS:P,+1420-00-00T00:00:00Z/8 –1500) |
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Medium | tempera on poplar panel | |||||||||||||||||||||||||||||
Dimensions |
height: 59 cm (23.2 in) ; width: 82 cm (32.2 in) dimensions QS:P2048,+59U174728 dimensions QS:P2049,+82U174728 |
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Collection |
institution QS:P195,Q1080108 |
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Place of creation | Italy | |||||||||||||||||||||||||||||
References | ||||||||||||||||||||||||||||||
Authority file | ||||||||||||||||||||||||||||||
Other versions |
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Photograph
Source | Piero della Francesca |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Original upload log
Date/Time | Dimensions | User | Comment |
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2005-06-12 11:33 | 1106×775× (189363 bytes) | Ham II | '''[[The Flagellation]]''' by [[Piero della Francesca]]. Source: [http://www.wga.hu/frames-e.html?/html/p/piero/francesc/flagella.html] {{PD-Art}} |
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current | 08:27, 14 July 2018 | 1,106 × 775 (185 KB) | Ham II (talk | contribs) | Transferred from en.wikipedia via #commonshelper |
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Metadata
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JPEG file comment | PIERO della FRANCESCA
(b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro) The Flagellation c. 1455 Oil and tempera on panel, 58.4 x 81.5 cm Galleria Nazionale delle Marche, Urbino This panel painting - one of his most famous - was executed by Piero during his first visit to Urbino. It contains subtle references to the situation of the time, which are very difficult to understand today. The theory that seems to be proposed most frequently is that the painting was commissioned as an attempt to favour the reconciliation between the two Christian churches, of the East and of the West, in view of the imminent Turkish attack on Constantinople. Both the presence of the character in the centre, dressed after Greek fashion, and an inscription on the frame ("convenerunt in unum") would seem to support this interpretation. From the point of view of composition and perspective the painting is very rigorously planned. The composition appears to be divided into two scenes, separated by the column supporting the temple in which the Flagellation of Christ is taking place. On the right are three figures, arranged in a semi-circle; their identity is not certain. They are probably well-known characters of the time and, as such, they would be portrayed with their real features. The importance of the architecture in this painting, with the elegant classical temple, would suggest that Piero was in touch with contemporary theoretical writings. The onlooker must stand directly in the centre of the painting, for the composition is strictly unitarian, and this unity is achieved by the rigorous use of a single vanishing point. The painting is an ultimate exemple of Quattrocento linear perspective. Even though he is working in a unitary space, Piero does not give up his interest in detail, such as the ceiling of the temple or the bronze sculpture on the column with its splendid reflection of the light. The magnificent damask garment worn by the character on the far right, with its contrast between blue and gold, reveals Piero's love for luxurious clothing and for the most fashionable styles, which many Florentine painters had eliminated entirely from their work.
Author: PIERO della FRANCESCA Title: The Flagellation Time-line: 1451-1500 School: Italian Form: painting Type: religious |
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