File:Pieter Aertsen, Det fede køkken En allegori Voluptas Carnis , , KMSsp339, Statens Museum for Kunst.jpg

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Pieter Aertsen: The Fat Kitchen. An Allegory  wikidata:Q20540362 reasonator:Q20540362
Artist
Pieter Aertsen  (1508–1575)  wikidata:Q326548
 
Pieter Aertsen
Description -Dutch painter
Date of birth/death 1508 Edit this at Wikidata 3 June 1575 Edit this at Wikidata
Location of birth/death Amsterdam Amsterdam
Work location
Amsterdam (1556–1575); Antwerp (1535–1556); Amsterdam (1526) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Det fede køkken. En allegori. ("Voluptas Carnis")
title QS:P1476,da:"Det fede køkken. En allegori. ("Voluptas Carnis")"
label QS:Lda,"Det fede køkken. En allegori. ("Voluptas Carnis")"
Object type painting
object_type QS:P31,Q3305213
Genre allegory Edit this at Wikidata
Description
Dansk: Det fede køkken. En allegori. ("Voluptas Carnis")
  • Dansk: Maleriets venstre halvdel gengiver nøjagtigt fremstillingen på et af hans tidligere interiørbilleder (K.M. notater)
Date between 1565 and 1575
date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1565-00-00T00:00:00Z/9,P1326,+1575-00-00T00:00:00Z/9
 Edit this at Wikidata
Medium
Dansk: Olie på træ
Dimensions height: 1,290 mm (50.78 in); width: 2,320 mm (91.33 in)
dimensions QS:P2048,1290.0U174789
dimensions QS:P2049,2320.0U174789
institution QS:P195,Q671384
Accession number
KMSsp339
Object history
  • Dansk: - Erhvervet i 1756 af Morell (Wahls Nota p.46 nr. 1)

Placeringshistorie: 1756: Til Fredensborg 1827: Tilbage til KMS

3. sep, 1969: Sølvgade
Exhibition history
  • Flowers and World Views, Gottorf Castle, 23 May 2014–24 October 2014
  • Blomster og verdenssyn, Sølvgade, 21 March 2013–19 October 2013
  • Renæssancen i 1500-tallet, Nivaagaards Malerisamling, 26 October 1996–9 March 1997
  • Restaureringsbilleder : en udstilling om bevaring og undersøgelse af ældre kunst : maleri, Sølvgade, 1 September 1984–18 November 1984
Notes
  • Dansk: Værkdatering: 1565-1575
  • Dansk: Billedet er fra kunstnerens seneste år.
  • Dansk: Tidligere Inventarnumre:

- Fortegnelser ovre Wahls og Morells køb pag. 46 nr. 1 - Papirer vedr. Morells køb 23g p. 78 nr. 1 - Wahls Manual 1737-6, p. 101 - Kunstkammerets Inventar Tome IV p.11 nr. 1070

Katalognumre: - Abildgaard nr. 269 - Spengler nr. 339 - Kat. 1864 nr. 81 - Kat. 1875 nr. 3 - Kat. 1904 nr. 3 (se arkiveksemplaret) - Kat. 1922 nr. 86

- Kat. 1946 nr. 3
References
  • Karl Madsen (1891) Hollandsk malerkunst, 127ff (afb.), 1105
  • Godefridus Joannes Hoogewerff (1936-47) De Noord-Nederlandsche schilderkunst, vol. IV: 511ff (afb.), 13345
  • Vilhelm Wanscher (1915) Om farvekomposition hos de gamle mestre, p. 157, 14750
  • Peter Hertz (1924) Den kongelige Malerisamlings Tilblivelse, p. 378, 15619
  • Ubekendt (1954-) Nederlands kunsthistorisch jaarboek, vol. 40, 1999, Waouter Kloeck "Pieter Aertsen en het probleem van het samenstellen van zijn oeuvre", p. 17, ill. p. 16 fig. 21 (venstre halvdel af billedet næsten identisk med venstre del af billedet i Museo Nazionale S.Matteo i Pisa, afb. fig. 22), 17911
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt. og afb. p. 27, 2005-071
  • Robert Genaille (1953) Bruegel l'Ancien, p. 72, notee 35: efter 1565, 21373
  • Johannes Sievers (1908) Pieter Aertsen: Ein Beitrag zur Geschichte der niederländischen Kunst im XVI Jahrhundert, 98-99, tavle 29 (har ikke fundet den fejlagtigt af de Roever som Æ1572 angivne datering) Billedet er her henført til kunstnerens sidste tid., 2458
  • Ubekendt (1972) Actes du XXIIe congrès international d'histoire de l'art Budapest 1969: evolution générale et développements régionaux en histoire de l'art, vol. II: p. 762; vol. III: fig. 522/v, 37806
  • Henrik Bjerre (1984) Restaureringsbilleder: en udstilling om bevaring og undersøgelse af ældre kunst, kat.no. 8, ill., 51071
  • Thomas Huber (c1990) Die Ordnung der Symbole: Innovationen der Bildsprache in der nachreformatorischen Kunst des 16.Jahrhunderts am Beispiel der Kompositstilleben Pieter Aertsens, p. 69, afb. fig. 25, 93-156
  • B. Michael Andressen (1996) Barocke Tafelfreuden: an Europas Höfen, ill. farve p. 31, 96-346
  • Nils Ohrt (1996) Renæssancen i 1500-tallet, p. 13 kat.nr. 24, afb. (F) p. 13, 96-749
  • Gert von der Osten (1969) Painting and sculpture in Germany and the Netherlands 1500-1600, p. 306, C 22600
  • Max J Friedländer (1924-1937) Die altniederländische Malerei: I-XIV, vol. XIII: p. 170, nr. 332, tavle LXI, C 2933
  • Ubekendt (2012) Carl Bloch 1834-1980, fig. 59, ill. p. 120-121, omt. p. 122, C 49089
  • N. de Roever (date unspecfied) Pieter Aertz: gezegd Lange pier, vermaard schilder, p. 23
  • Horst Gerson (1952) Van Geertgen tot Frans Hals, p. 36, afb. pl. 98
  • Arthur Edwin Bye (1921) Pots and Pans, p. 37
  • Wouter Kloek (1990) Pieter Aertsen en het probleem van het samenstellen van zijn oeuvre, p. 17, afb. p. 16 fig. 21
  • Arthur Edwin Bye (date unspecfied) Two Unpublished Pictures by Pieter Aertsen, p. 159
  • Hans Vollmer (date unspecfied) Die Alte Gemäldegaleri in Kopenhagen, p. 554, afb. p. 553
  • Robert Grenaille (date unspecfied) L'oeuvre de Pieter Aertsen, p. 279
  • Robert Grenaille (date unspecfied) Pieter Aertsen: précurseur de lárt rubénien, p. 68
  • Sven Bjerkhof (2013) Blomster og verdenssyn, Afb. p. 19, omt. p. 20-22, C 55132
  • Karen Grøn (2017) Eat me, afb. p. 66
  • Blanc, Jan (2019) Le Siècle d'or hollandais, ill. 133, afb. p. 158
Source/Photographer

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