File:Porte-bouquets offert à la princesse Clotilde par la ville de Turin.png

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Captions

Captions

Bouquet holder offered to Princess Clotilde by the city of Turin.

Summary

[edit]
Description
Français : Le porte-bouquets offert par la ville de Turin à S. A. R. la princesse Clotilde, à l'occasion de son mariage avec S. A. I. le prince Napoléon, (Illustration associées) est autant par l'élègance de son galbe et l'ingénieuse combinaison de ses groupes de figurines en ronde bosse que par la parfection du travail, une œuvre digne de cette orfévrerie italienne si célèbre aux quinzième et seizième siècles où elle comptait tant d'éminents artistes.Cette belle pièce, toute en argent, dont la hauteur est de soixante quinza centimètres, est l'œuvre du chevalier Charles Borani, l'un des chefs de la grande maison d'orfèvrerie de Turin, dont les travaux relèvent moins de l'industrie que de l'art. Maxime Vauvert
Italiano: Il portabouquet offerto dalla Città di Torino a SAR la Principessa Clotilde, in occasione del suo matrimonio con SAR il Principe Napoleone, (Illustrazion correlate) è sia per l'eleganza della sua curva che per l'ingegnosa combinazione dei suoi gruppi di figurine in rilievo rotondo, unici per la perfezione dell'opera, un'opera degna di questo orafo italiano tanto famoso nei secoli XV e XVI quando ebbe tanti eminenti artisti.Questo bellissimo pezzo, tutto in argento, la cui altezza è di sessantacinque centimetri, è opera del cavaliere Charles Borani, uno dei capi della grande casa orafa torinese, il cui lavoro riguarda meno l'industria che l'arte. Maxime Vauvert
English: The bouquet holder offered by the city of Turin to HRH Princess Clotilde, on the occasion of her marriage to HRH Prince Napoleon (Related illustration) is both for the elegance of its curve and the ingenious combination of its groups of figurines in round bump only by the perfection of the work, a work worthy of this Italian goldsmith's work so famous in the fifteenth and sixteenth centuries when it had so many eminent artists. This beautiful piece, all in silver, whose height is sixty-five centimeters, is the work of the knight Charles Borani, one of the heads of the great goldsmith house of Turin, whose work is less about industry than art. Maxime Vauvert
日本語: ナポレオン皇太子殿下との結婚の際に、トリノ市がクロティルデ王女殿下に贈呈した (関連図版) ブーケホルダーは、その曲線の優雅さと、丸く隆起した群像の独創的な組み合わせで、完璧な完成度を誇っています。この作品は、多くの著名な芸術家がいた15世紀から16世紀に非常に有名だったイタリアの金細工師の作品にふさわしい作品です。この美しい作品はすべて銀で、高さが65センチメートルの、騎士による作品です。シャルル・ボラーニはトリノの偉大な金細工師の家の当主のひとりで、彼の仕事は産業よりも芸術に関するものです。 マキシム・ヴォヴェール
Date
Source
institution QS:P195,Q193563
Author
Jean-Baptiste Bertrand  (1823–1887)  wikidata:Q3160935
 
Jean-Baptiste Bertrand
Alternative names
pseudonym: James Bertrand; Jean Baptiste Bertrand; jean-bapt. bertrand; Bertrand; jas. bertrand; J. Bertrand
Description French painter and engraver
Date of birth/death 25 March 1823 Edit this at Wikidata 27 September 1887 Edit this at Wikidata
Location of birth/death Lyon Orsay
Work location
Paris (1843) Edit this at Wikidata
Authority file
creator QS:P170,Q3160935
Texte de
Maxime Vauvert    wikidata:Q125360291
 
Description journalist and Le Monde illustré
Authority file
creator QS:P170,Q125360291

Licensing

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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