File:Print, trade-card, forgery (BM Heal,20.1).jpg
Original file (2,169 × 2,500 pixels, file size: 1.02 MB, MIME type: image/jpeg)
Captions
Summary
[edit]print, trade-card, forgery ( ) | ||||||||||||||||||||||||
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Artist |
Formerly attributed to: Joseph Sympson II
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Title |
print, trade-card, forgery |
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Description |
English: Forgery purporting to be a trade-card for James Figg, prize fighter and instructor in sword and quarter-staff; portrait of Figg standing full-length, one hand on his hip, the other on the hilt of his sword, with another man to left of him holding a quarter-staff, in a raised fighting ring with spectators; in a decorative border with crossed swords above, a man with a sword to either side and an inscription plaque with weapons below.
Etching |
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Depicted people | Representation of: James Figg | |||||||||||||||||||||||
Date |
1790s date QS:P571,+1790-00-00T00:00:00Z/8 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
Heal,20.1 |
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Notes | See biographical note on Sympson for information on prints supposedly etched by him after Hogarth's design. Paulson suggests that the figure of Figg may have been put together from figures that have been identified as Figg in other prints by Hogarth: the fallen drinker in 'A Midnight Modern Conversation' and the broadsword fighter in 'Southwark Fair' (Paulson 1989, cat. nos. 128, 131). | |||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_Heal-20-1 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:27, 14 May 2020 | 2,169 × 2,500 (1.02 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Trade-cards in the British Museum 1790 #6,816/10,893 |
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File usage on Commons
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Horizontal resolution | 300 dpi |
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Vertical resolution | 300 dpi |
Width | 2,560 px |
Height | 2,951 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Image width | 2,560 px |
Image height | 2,951 px |
Color space | sRGB |
Software used | Adobe Photoshop Elements 7.0 Windows |
Date and time of digitizing | 15:19, 5 March 2013 |
File change date and time | 15:26, 5 March 2013 |
Date metadata was last modified | 15:26, 5 March 2013 |