File:Seven Sages of the Bomboo Grove.Rubbing1.Xishanqiao.jpg
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[edit]DescriptionSeven Sages of the Bomboo Grove.Rubbing1.Xishanqiao.jpg |
English: Stamped molded-brick mural, identified as the "Seven Sages of the Bamboo Grove and Rong Qiqi", one of two walls apart of the coffin found in a tomb of the capital region of the Southern dynasties (5th-6th. c.), second half of the fifth century, at Xishanqiao, near Nanjing. 88 x 240 cm. Nanjing Museum. This part of the murals may reflect a composition of the famous Lu Tanwei, considered as the single greatest painter of all times by the chinese critic Xi He (act. 500-536) : ref. from China : Dawn of a Golden Age, 200-750 AD, The Metropolitan Museum of Art, Yale University Press 2004. We can recognize Ji Kang (223-262), on the left, under a gingko tree.
Français : Estampage d'un relief moulé sur des briques. La scène est identifiée par le nom des participants inscrits dans la composition : les "Sept sages de la forêt de bambous et Rong Qiqi". Un des deux murs qui encadrent le cercueil d'un dignitaire des Dynasties du Sud, de la seconde moitié du cinquième siècle. Ce mur refléterait, selon les auteurs de China : Dawn of a Golden Age, 200-750 AD, The Metropolitan Museum of Art, Yale University Press 2004, une composition de Lu Tanwei (originaire de Wu, il servit l'empereur Ming (465-472) des Liu Song - du Sud - pendant la période des Dynasties du Nord et du Sud). Lu Tanwei fut jugé le plus grand peintre - au delà de la catégorie supérieur-supérieur [trad. Yolaine Escande, Traités chinois de peinture..., T1, 2003, p. 299] - par le critique Xie He (act. 500-536). On peut y reconnaitre Ji Kang (223-262), à gauche, philosophe de la période des Trois Royaumes en quête de l'immortalité, sous un ginkgo biloba. Non son portrait réaliste mais une évocation de son portrait moral. Chaque personnage étant fortement individualisé dans cette œuvre majeure. |
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Date | |||
Source | own work (assemblage from different sources with Photoshop) | ||
Author | Ismoon (talk) 14:34, 25 November 2013 (UTC) | ||
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current | 14:34, 25 November 2013 | 1,500 × 545 (661 KB) | Ismoon (talk | contribs) | {{Information |Description={{En|1=Stamped molded-brick mural, identified as the "Seven Sages of the Bamboo Grove and Rong Qiqi", one of two walls apart of the coffin found in a tomb of the capital region of Southern dynasties (5th-6th. c.), second half... |
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Camera manufacturer | Canon |
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Camera model | Canon PowerShot G11 |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/4 |
ISO speed rating | 80 |
Date and time of data generation | 13:18, 25 November 2013 |
Lens focal length | 10.775 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop 7.0 |
File change date and time | 13:33, 25 November 2013 |
Y and C positioning | Co-sited |
Exif version | 2.21 |
Date and time of digitizing | 13:18, 25 November 2013 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 5.90625 |
APEX aperture | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.34375 APEX (f/3.19) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 12,493.150684932 |
Focal plane Y resolution | 12,493.150684932 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |
IIM version | 2 |