File:Simon Vouet - Presentation in the Temple - WGA25366.jpg
Archivo original (800 × 1302 píxeles; tamaño de archivo: 186 kB; tipo MIME: image/jpeg)
Leyendas
Simon Vouet: Presentación en el templo | |||||||||||||||||||||||||
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Artista |
artist QS:P170,Q317920 |
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Título |
Presentation in the Temple |
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Object type | pintura | ||||||||||||||||||||||||
Género | arte sacro | ||||||||||||||||||||||||
Descripción | |||||||||||||||||||||||||
Personas retratadas | Virgen María | ||||||||||||||||||||||||
Fecha |
entre 1640 y 1641 date QS:P571,+1640-00-00T00:00:00Z/8,P1319,+1640-00-00T00:00:00Z/9,P1326,+1641-00-00T00:00:00Z/9 |
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Técnica |
óleo sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensiones |
altura: 393 cm; ancho: 250 cm dimensions QS:P2048,393U174728 dimensions QS:P2049,250U174728 |
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Colección |
institution QS:P195,Q19675 |
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Número de inventario |
INV 8492 and MR 2719 (departamento de pintura del Louvre) |
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Referencias |
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Control de autoridades | |||||||||||||||||||||||||
Fuente/fotógrafo |
Web Gallery of Art: Imagen Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/v/vouet/2/02presen.html" |
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Permiso (Reutilización de este archivo) |
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actual | 11:37 4 jun 2011 | 800 × 1302 (186 kB) | JarektUploadBot (discusión | contribs.) | {{Artwork |artist = {{Creator:Simon Vouet}} |title = Presentation in the Temple |description = |date = {{other date|between|1640|1641}} |medium = {{Oil on canvas}} |
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Comentario de archivo JPEG | VOUET, Simon
(b. 1590, Paris, d. 1649, Paris) Presentation in the Temple 1640-41 Oil on canvas, 393 x 250 cm Musée du Louvre, Paris Simon Vouet arrived in Paris in 1627, having already pursued a successful career in Rome. His art seems to have appealed immediately to Louis XIII, who gave him more commissions than he accorded other artists. Vouet's main achievement was in bringing a fully developed Baroque style back from Italy, which shows his extraordinary ability to change direction: he had been totally preoccupied with Caravaggism in his Roman years. He must, however, have been absorbing all the fashionable trends in Rome (Caravaggism had already become old-fashioned among Italian painters in the 1620s), and he was able to bring them almost unadulterated to the court of Louis XIII. The Parisian court's preoccupation with foreign styles of painting was already obvious, and Vouet, although a Frenchman, found that he could provide an up-to-date approach to what the court wanted without any local rivals. The combination of Italian influences is seen to perfection in his Presentation in the Temple, one of the most Baroque of all Vouet's compositions, given by Cardinal Richelieu to the Jesuit church in Paris. Only certain of the facial expressions suggest that the picture might not be Italian. In scale and composition it is a flawless altarpiece of the type then being commissioned for newly decorated or reconstructed churches all over Rome. The main influences in the picture are derived from the cool order of Domenichino and the much softer, more sensual approach of Guido Reni, and in it Vouet reached the level of accomplishment found in the work of Orazio Gentileschi, who had been working successfully for the Parisian court for two years.
Author: VOUET, Simon Title: Presentation in the Temple Time-line: 1601-1650 School: French Form: painting Type: religious |
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