File:Thomas Lawrence, Portrait of Lady Elizabeth Conyngham (1821–1824, WGA12516).jpg
Original file (1,000 × 1,297 pixels, file size: 152 KB, MIME type: image/jpeg)
Captions
Summary[edit]
Thomas Lawrence: Portrait of Lady Elizabeth Conyngham | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q312096 |
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Title |
Portrait of Lady Elizabeth Conyngham. |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | portrait | ||||||||||||||||||||||||||
Description |
Lady Elizabeth Conyngham (1799–1839) was the daughter of Henry Conyngham, 1st Marquess Conyngham and Elizabeth Conyngham, Marchioness Conyngham. She married Lord Strathavon (eldest son of the 5th Earl of Aboyne), who became Earl of Aboyne in 1836 when his father became Marquess of Huntley. She died before her father-in-law, so was never Marchioness of Huntly, remaining Countess of Aboyne. This portrait of Lady Elizabeth Conyngham is frequently misidentified as one of her mother, who would have been more than 50 years old (and was Countess Conyngham) when it was painted. It is also sometimes confused with another painting in the Calouste Gulbenkian by Gainsborough, of Mrs. Lowndes-Stone. |
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Depicted people | Lady Elizabeth Henrietta Conyngham | ||||||||||||||||||||||||||
Date |
between 1821 and 1824 date QS:P571,+1821-00-00T00:00:00Z/8,P1319,+1821-00-00T00:00:00Z/9,P1326,+1824-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 91 cm (35.8 in); width: 71 cm (27.9 in) dimensions QS:P2048,91U174728 dimensions QS:P2049,71U174728 |
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Collection |
institution QS:P195,Q211262 |
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References | https://www.wga.hu/html/l/lawrence/conyngha.html | ||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/l/lawrence/conyngha.html" |
Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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current | 02:57, 10 June 2011 | 1,000 × 1,297 (152 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Creator:Sir Thomas Lawrence}} |title = Portrait of Lady Elizabeth Conyngham |description = |date = {{other date|between|1821|1824}} |medium = {{Oil o |
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File usage on Commons
The following 6 pages use this file:
- 19th-century portraits from the United Kingdom
- Paintings by Thomas Lawrence
- File:Thomas Lawrence, Portrait of Lady Elizabeth Conyngham (1821–1824, WGA12516).jpg
- File:Thomas Lawrence - Portrait of Lady Elizabeth Conyngham - WGA12516.jpg (file redirect)
- Category:Lady Elizabeth Conyngham (Thomas Lawrence - Calouste Gulbenkian Museum)
- Category:Lady Elizabeth Henrietta Conyngham
File usage on other wikis
The following other wikis use this file:
- Usage on en.wikipedia.org
- Usage on pt.wikipedia.org
- Usage on www.wikidata.org
- Wikidata:WikiProject sum of all paintings/Creator/Thomas Lawrence
- Wikidata:WikiProject sum of all paintings/Location/Portugal/Missing inventory number
- Wikidata:WikiProject Women/Portraits of Women 1820-1829
- Q75250804
- Wikidata:WikiProject sum of all paintings/Collection/Calouste Gulbenkian Museum
- Q105522974
Metadata
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JPEG file comment | LAWRENCE, Sir Thomas
(b. 1769, Bristol, d. 1830, London) Portrait of Lady Elizabeth Conyngham 1821-24 Oil on canvas, 91 x 71 cm Museu Calouste Gulbenkian, Lisbon Nature is merely the backdrop for this carefully rehearsed performance. Although the lady is just putting the tuning key to her harp, the picture is almost static. The scattered accents of colour, such as red, seem to act as a counterpoint to her balanced pose. The harp and part of the stone socle may be intended as bearers of elegiac atmosphere, but first and foremost they are stabilizing compositional elements. Sentimentality and Neoclassicism are found hand in hand here. A clear and stringent compositional architecture is hidden behind an air of dreamy softness. The concept of the experienced portraitist is cloaked in the guise of chance inspiration.
Author: LAWRENCE, Sir Thomas Title: Portrait of Lady Elizabeth Conyngham Time-line: 1751-1800 School: English Form: painting Type: portrait |
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