File:Vilhelm Hammershøi, Amalienborg Plads, 1896, KMS1542, Statens Museum for Kunst.jpg

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Vilhelm Hammershøi: Amalienborg Square, Copenhagen  wikidata:Q20354158 reasonator:Q20354158
Artist
Vilhelm Hammershøi  (1864–1916)  wikidata:Q380706
 
Vilhelm Hammershøi
Alternative names
Vilhelm Hammershi; Wilhelm Hammershoi; Vilhelm Hammershoi; Wilhelm Hammershøi; Wilhelm Hammershi; Wilhelm Hammershoey; W. Hammershoi
Description Danish painter
Date of birth/death 15 May 1864 Edit this at Wikidata 13 February 1916 Edit this at Wikidata
Location of birth/death Copenhagen Copenhagen
Work location
Copenhagen Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Amalienborg Plads
title QS:P1476,da:"Amalienborg Plads"
label QS:Lda,"Amalienborg Plads"
Object type painting
object_type QS:P31,Q3305213
Genre architectural painting Edit this at Wikidata
Description
Dansk: Amalienborg Plads
Date 1896
date QS:P571,+1896-00-00T00:00:00Z/9
Medium
Dansk: Olie på lærred
Dimensions height: 1,498 mm (58.97 in); width: 1,490 mm (58.66 in)
dimensions QS:P2048,1498.0U174789
dimensions QS:P2049,1490.0U174789
institution QS:P195,Q671384
Accession number
KMS1542
Object history
Exhibition history
  • Painting Tranquility: Masterworks by Vilhelm Hammershøi from SMK - The National Gallery of Denmark, The American-Scandinavian Foundation, New York, 16 October 2015–26 February 2016
  • Painting Tranquility: Masterworks by Vilhelm Hammershøi from SMK - The National Gallery of Denmark, AGO Art Gallery of Ontario, Toronto, 15 April 2016–25 June 2016
  • Painting Tranquility: Masterworks by Vilhelm Hammershøi from SMK - The National Gallery of Denmark, Frye Art Museum, Seattle, 15 July 2016–22 September 2016
  • Van Gogh to Kandinsky. Symbolist Landscape, 1880-1910, Van Gogh Museum, Amsterdam, 24 February 2012–2 June 2012
  • Van Gogh to Kandinsky. Symbolist Landscape, 1880-1910, National Gallery of Scotland, 6 July 2012–6 October 2012
  • Van Gogh to Kandinsky. Symbolist Landscape, 1880-1910, Ateneum, Helsinki, 15 November 2012–16 February 2013
  • Sol og Sjæl: Vitalisme og symbolisme fra SMKs samling, Sølvgade, 26 April 2019–14 September 2019
  • Hammershøi, Amos Anderson Konstmuseum, Helsinki, 5 February 2015–17 May 2015
  • Hammershøis København, Kunstforeningen, 11 October 2003–21 December 2003
Notes
  • Dansk: Værkdatering: 1896
  • Dansk: afsluttet: dokumenteret
References
  • Neil Kent (2001) The soul of the North: a social, architectural and cultural history of the Nordic countries, 1700-1940, afb. p. 270 fig. 200 (s/h), omt. p. 270, 2001-028
  • Hans Edvard Nørregård-Nielsen (2003) Dansk kunst: tusind års kunsthistorie, afb. 390, 2003-520
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt.og afb. p. 115, 2005-071
  • Poul Vad (1988) Hammershøi: værk og liv, s. 148-50, 355., 89-622
  • Patricia G. Berman (2007) Nyt lys over 1800-tallets danske maleri, afb.. p. 14, omt. p. 15 -16 og 18. "Det er et af kunstnerens mange isolationistiske og uudgrundelige malerier af Danmarks officielle arkitektur, og med sin(e) omkring 1,7 kvadratmeter er det et af hans største. Kunstneren havde foretaget en grundig undersøgelse af lokaliteten og havde sikret sig tilladelse til at gengive den fra anden sal i Levetzaus Palæ...", C 39042
  • Patricia G. Berman (2007) In another light: Danish painting in the nineteenth century, afb. p. 14 og omt. p.15: "The rigorously tight and neutralized palette and the lack of anecdotal incident, in fact, marked this as an eccentric view of the city, and one that intentionally supresses any references to modernity. In fact the muted light and tskewed perspetive obviate any historicist display, making this a view detached from both past and present." Endvidere om Eigveds Amalienborg p. 15f og Moltkes bestilling af statuen af Frederik V hos Saly., C 39045
  • Rodolphe Rapetti (2012) De Van Gogh à Kandinsky: le paysage symboliste en Europe, 1880-1910, fig. 87, ill. p. 121, omt. p. 122, C 48258
  • Ubekendt (2012) Nordic art: the modern breakthrough 1860-1920, Afb. p. 210 (fig. 1). Omt. p. 210., C 54730
  • Alfred Bramsen & S.Michaëlis (1918) Vilhelm Hammershøi: Kunstneren og hans Værk, Værkfortegnelse nr. 153.
  • Poul Vad (1988) Hammershøi: Værk og liv, afb. p. 148, omtalt pp. 149-150
  • Ubekendt (2002) Verden set på ny: fotografi og malerkunst i Danmark 1840-1900, omt. p. 82, ka2002-146
  • Bente Scavenius (2003) Hammershøis København, afb. p. 60 og omt. p. 59, ka2003-213
  • Annette Weisner (2012) Grossstadtbild und nordische Moderne: Untersuchungen zur Grossstadtdarstellung in der skandinavischen Malerei von 1870 bis 1920, afb. p. 184 (abb. 44), omt. p. 184ff
  • Timo Valjakka, Susanna Luojus (2015) Vilhelm Hammershøi: Stillhetens målare, afb. p. 38, 122, omt p. 39
  • Cecilie Høgsbro (2015) Vilhelm Hammershøi: Mesterværker af Vilhelm Hammershøi fra SMK, afb. p. 16, 116, omt. pp. 18, 40
  • Annette Rosenvold Hvidt (2018) Vilhelm Hammershøi: På sporet af det åbne billede, afb. pp. 410-411
  • Thomas Lederballe (2018) Hieroglyffer: Symbolismens tegninger 1890-1910, p. 16, fig. 2, C 64758
  • Martyna Lukasiewicz (2022) Hammershøi. Light and Silence, afb. p. 60
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