File:〈泰山羊祉開復石門銘〉拓本.jpg
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![File:〈泰山羊祉開復石門銘〉拓本.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/7/77/%E3%80%88%E6%B3%B0%E5%B1%B1%E7%BE%8A%E7%A5%89%E9%96%8B%E5%BE%A9%E7%9F%B3%E9%96%80%E9%8A%98%E3%80%89%E6%8B%93%E6%9C%AC.jpg/600px-%E3%80%88%E6%B3%B0%E5%B1%B1%E7%BE%8A%E7%A5%89%E9%96%8B%E5%BE%A9%E7%9F%B3%E9%96%80%E9%8A%98%E3%80%89%E6%8B%93%E6%9C%AC.jpg?20230708151715)
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「榜書」大字作為一種書法表現形式,體量宏大、氣勢厚重,雖不以數大成美,然而碩大的字體,充滿精、氣、神,總能給人激勵奮進的能量。俯瞰市井街坊招牌及名勝古蹟之地,「榜書」其實無處不在我們生活的場景,而在新式建築中,不同於居家環境的展示空間,也需要體量較大,能予人磅礡審美效果的作品,以符合現代的視覺期待,這正是榜書在今日值得關注與重視的理由。
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中文(繁體):〈泰山羊祉開復石門銘〉拓本(石門銘),桃園市大園區青峰里(橫山)
English: As a form of calligraphic expression, bangshu possesses a grand scale and imposing momentum. While beauty is not solely determined by size, the magnified characters of bangshu are filled with essence, vitality, spirit, which can always inspire and energize people. Looking down at the scenes of our daily lives. Other than domestic space, larger works are needed to provide a majestic aesthetic effect to meet visual expectation in the public space od modern building. This is precisely why bangshu deserves attention and recognition today. |
Date | 8 July 2023, 16:59:07 |
Photograph
Description〈泰山羊祉開復石門銘〉拓本.jpg | |
Date |
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Source | Own work |
Author |
氏子 ![]() |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:17, 8 July 2023 | ![]() | 3,424 × 3,424 (6.31 MB) | 氏子 (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
---|---|
Camera model | DC-GF9 |
Exposure time | 1/25 sec (0.04) |
F-number | f/8 |
ISO speed rating | 6,400 |
Date and time of data generation | 16:59, 8 July 2023 |
Lens focal length | 14 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Ver.1.1 |
File change date and time | 16:59, 8 July 2023 |
Y and C positioning | Co-sited |
Exposure Program | Shutter priority |
Exif version | 2.3 |
Date and time of digitizing | 16:59, 8 July 2023 |
Meaning of each component |
|
Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.78125 APEX (f/3.71) |
Metering mode | Center weighted average |
Light source | Tungsten (incandescent light) |
Flash | Flash did not fire, compulsory flash suppression |
DateTime subseconds | 756 |
DateTimeOriginal subseconds | 756 |
DateTimeDigitized subseconds | 756 |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Manual white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 33 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | High saturation |
Sharpness | Normal |
Categories:
- Collections of the National Museum of History, Taipei
- Hengshan Calligraphy Art Center
- Culture of Hanzhong
- Hantai District
- 2023 photographs of Taoyuan
- Rubbings of inscriptions on Chinese monumental stones
- Steles in Shanxi
- Calligraphy of the Southern and Northern Dynasties
- 509
- Objects from Shaanxi in museums
- Archaeological objects of Shaanxi
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