File:Yelizavetpol Tatar in Russian army.jpg

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Artist
Dmitri Yermakov  (1845–1916)  wikidata:Q2671386
 
Dmitri Yermakov
Alternative names
Dimitri (Dimitriy, Dmitri, Dmitriy) Ermakov (Yermakov, Jermakov, Jermakow)
Description Russian photographer, topographer, ethnographer, orientalist and ethnologist
Date of birth/death 1845 Edit this at Wikidata 10 November 1916 Edit this at Wikidata
Location of birth/death Tbilisi, Georgia Tbilisi
Work period 1866 Edit this at Wikidata–1916 Edit this at Wikidata
Work location
Tbilisi, Georgia, Caucasus
Authority file
artist QS:P170,Q2671386
Title
English: "Yelizavetpol Tatar in Russian army". It should be noted that Azerbaijani people were called "Tatars" in Russian Empire
Русский: "Елизаветпольский татарин на русской службе". Следует отметить, что в Российской империи азербайджанцев называли и "татарами"
Date between 1800 and 1899
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1800-00-00T00:00:00Z/9,P1326,+1899-00-00T00:00:00Z/9
Medium Albumen print
Dimensions height: 34.4 cm (13.5 in); width: 26.7 cm (10.5 in)
dimensions QS:P2048,34.4U174728
dimensions QS:P2049,26.7U174728
institution QS:P195,Q632682
Current location
Arts of the Islamic World collection
Accession number
86.86.8
Credit line Special Middle Eastern Art Fund.
Source/Photographer Online Collection of Brooklyn Museum; Photo: Brooklyn Museum, 2009, 86.86.8_IMLS_PS3.jpg
Permission
(Reusing this file)
This image was uploaded by the Brooklyn Museum as a content partnership, and is considered to have no known copyright restrictions by the institutions of the Brooklyn Museum.

Note: While the Brooklyn Museum cannot make an absolute statement on copyright status for legal reasons, it supports and encourages the Wikimedia community in researching and applying the copyright status tag that is most appropriate for their purposes.

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Public domain
This work was published on territory of the Russian Empire (Russian Republic) except for territories of the Grand Duchy of Finland and Congress Poland before 7 November 1917 and wasn't re-published for 30 days following initial publications on the territory of Soviet Russia or any other countries.

The Russian Federation (early Soviet Russia, RSFSR) is the historical heir but not legal successor of the Russian Empire, and the Russian Empire was not party to the Berne Convention (it was not country of Union for the protection of the rights of authors in their literary and artistic works), so according to article 5 of the Convention this work has no country of origin except:

  • in the case of cinematographic work the maker of which has his headquarters or his habitual residence in a country of the Union, the country of origin shall be that country,
  • in the case of of architecture erected in a country of the Union or other artistic works incorporated in a building or other structure located in a country of the Union, the country of origin shall be that country,
  • in the case of other works if the author is a national of a country of the Union¹, the country of origin shall be that country.

¹ - Author who is not a national of a country of the Union but who has his habitual residence in a country of the Union, be assimilated to national of that country.

The exclusive rights to this work do not extend on territory of the Russian Federation according to article 1256 of the Civil Code of the Russian Federation (details), because this work does not meet the requirements on the territory of publication, on the author's nationality, and on obligations for international treaties.

If applicable, {{PD-Russia-expired}} should be used instead of this tag.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Public domain
Public domain
This work was first published in Azerbaijan and is now in the public domain because its copyright protection has expired by virtue of the Law of the Republic of Azerbaijan on Copyright and Related Rights, enacted 1996, amended 2008. The work meets one of the following criteria:
  • It is an anonymous work, pseudonymous or a collective work and 70 years have passed since the date of its publication
  • It is another kind of work, and 70 years have passed since the year of death of the author (or last-surviving author)
  • It is a a posthumous work, published at first time during 30 years and 70 years have passed since the date of its publication
The Article 25.3 (amendment) was added in 2008: “Duration of protection determined by this Law shall be applied to all works of which term of protection has not expired until this Law enters into force”. Works of authors who died in 1970 or earlier, or anonymous works published 1970 or earlier, are public domain in Azerbaijan.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
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Date/TimeThumbnailDimensionsUserComment
current15:54, 21 July 2010Thumbnail for version as of 15:54, 21 July 2010613 × 768 (95 KB)BrooklynMuseumBot (talk | contribs){{Painting | Artist = {{unknown}} | Title = ''[Untitled]'' | Year = {{other_date|between|1800|1899}} | Technique = Albumen print | Dimensions = {{Size|cm|34.4|26.7}} | Gallery = {{Brooklyn

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