Peter Paul Rubens/1620–1622

1620-1622

Christ with Young St. John and Angels
The vengeance of Tomyris
label QS:Len,"The vengeance of Tomyris"

label QS:Lpl,"Zemsta Tomyris"

label QS:Lnl,"Koningin Tomyris laat het hoofd van Cyrus in een bak met bloed werpen"
. 1620-1625. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. 263 × 199 cm (103.5 × 78.3 in). Paris, Louvre Museum.
The penitent Mary Magdalene
label QS:Len,"The penitent Mary Magdalene"

label QS:Lpl,"Pokutująca Maria Magdalena"

label QS:Lnl,"De berouwvolle Maria Magdalena"
. circa 1620
date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902
. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. 205 × 157 cm (80.7 × 61.8 in). Vienna, Kunsthistorisches Museum.
Workshop of Peter Paul Rubens.
Joan of Arc
. circa 1620
date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902
. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. 181.6 × 116.2 cm (71.4 × 45.7 in). Raleigh, North Carolina Museum of Art.
His wife and child
label QS:Len,"His wife and child"

label QS:Lpl,"Jego żona i dziecko"

label QS:Lnl,"Zijn vrouw en kind"
. drawing. Present whereabouts unknown.
Judith and her maidservant put Holofernes' head in a sack
label QS:Len,"Judith and her maidservant put Holofernes' head in a sack"

label QS:Lpl,"Judyta i jej służąca wkładająca głowę Holofernesa do worka"

label QS:Lnl,"Judith met het hoofd van Holofernes"
. 1620-1622. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. Florence, Uffizi Gallery.
Portrait of Charles de Longueval
. 1621. oil on panel. 62 × 50 cm (24.4 × 19.6 in). Saint Petersburg, Hermitage Museum.
Portrait of a woman, traditionnally identified as Suzanna Fourment
label QS:Len,"Portrait of a woman, traditionnally identified as Suzanna Fourment"

label QS:Lpl,"Portret kobiety, tradycyjnie identyfikowanej jako Zuzanna Fourmet"

label QS:Lnl,"Portret van een vrouw, traditioneel geïdentificeerd als Suzanna Lunden-Fourment"
. circa 1622
date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902
. oil on panel. 79 × 54 cm (31.1 × 21.2 in). London, National Gallery .
Peter Paul Rubens (?).
Two studies of a standing officer
label QS:Len,"Two studies of a standing officer"

label QS:Lpl,"Dwa studia stojącego oficera"

label QS:Lnl,"Twee studies van een staande officier"
. 1587-1640. pen and brown ink, brush and brown ink and black chalk on paper. 15.3 × 11.1 cm (6 × 4.3 in). Amsterdam, Rijksmuseum Amsterdam.

Perseus frees Andromeda
label QS:Lfr,"Persée délivrant Andromède"

label QS:Len,"Perseus frees Andromeda"

label QS:Lpl,"Perseusz uwalniający Andromedę"

label QS:Lnl,"Perseus bevrijdt Andromeda"
. circa 1620
date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902
. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. 100 × 138.5 cm (39.3 × 54.5 in). Berlin, Gemäldegalerie.
Perseus and Andromeda
label QS:Len,"Perseus and Andromeda"

label QS:Lpl,"Perseusz i Andromeda"

label QS:Lnl,"Perseus en Andromeda"
. circa 1622
date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902
. Oil on panel transferred to canvas. 99.5 × 139 cm (39.1 × 54.7 in). Saint Petersburg, Hermitage Museum.
Workshop of Peter Paul Rubens.
Jupiter and Mercury visiting Philemon and Baucis
label QS:Lde,"Jupiter und Merkur bei Philemon und Baucis"

label QS:Len,"Jupiter and Mercury visiting Philemon and Baucis"

label QS:Lpl,"Jowisz z Merkurym odwiedzający Filemona i Baucis"

label QS:Lnl,"Jupiter en Mercurius bij Philemon en Baucis"
. circa 1620-1625. 153.5 × 187 cm (60.4 × 73.6 in). Vienna, Kunsthistorisches Museum.
Peter Paul Rubens and Jan Brueghel (I).
Saint Hubert's vision
label QS:Len,"Saint Hubert's vision"

label QS:Lpl,"Wizja św. Huberta"

label QS:Lnl,"Het visioen van de heilige Hubertus"
. 1615-1630. oil on panel. 63 × 100.5 cm (24.8 × 39.5 in). Madrid, Museo del Prado.
Peter Paul Rubens and Jan Brueghel (I).
Diana and her nymphs surprised by satyrs
label QS:Len,"Diana and her nymphs surprised by satyrs"

label QS:Lpl,"Diana i jej nimfy zaskoczone przez satyrów"

label QS:Lnl,"De slapende Diana en haar nimfen door saters bespied"
. circa 1624-1624. oil on panel. 61 × 98 cm (24 × 38.5 in). Paris, Musée de la Chasse et de la Nature.
After Peter Paul Rubens and Jan Brueghel (I).
Diana and her nymphs surprised by satyrs
label QS:Len,"Diana and her nymphs surprised by satyrs"

label QS:Lpl,"Diana i jej nimfy zaskoczone przez satyrów"

label QS:Lnl,"De slapende Diana en haar nimfen door saters bespied"
. 1620-1699. oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
. 51 × 85 cm (20 × 33.4 in). Vienna, Kunsthistorisches Museum.

Portrait of Lorenzo de' Medici

Portrait of Lorenzo de' Medici
. 1620-1630. Red chalk, pen and brush in dark brown, wash on paper. 13 × 11.9 cm (5.1 × 4.6 in). Wrocław, Ossolineum.
Lucas Vorsterman (I) (After Peter Paul Rubens).
Portrait of Lorenzo de' Medici
. 1620-1630. engraving. 17.4 × 11.9 cm (6.8 × 4.6 in). Various collections.

Design for three sculptures

Design for two sculptures, depicting Virtus and Honos
label QS:Len,"Design for two sculptures, depicting Virtus and Honos"

label QS:Lpl,"Projekt dwóch rzeźb przedstawiających Virtus i Honos"

label QS:Lnl,"Ontwerp voor twee beelden, voorstellend Virtus en Honos"
. circa 1620
date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902
(?). red chalk, pen and brown ink and wash on paper. 30.9 × 21.1 cm (12.1 × 8.3 in). Antwerp, Museum Plantin-Moretus.
Design for a sculpture, depicting Doctrina
label QS:Len,"Design for a sculpture, depicting Doctrina"

label QS:Lpl,"Projekt rzeźby przedstawiającej Doktrynę"

label QS:Lnl,"Ontwerp voor een beeld, voorstellend Doctrina"
. circa 1620
date QS:P,+1620-00-00T00:00:00Z/9,P1480,Q5727902
. red chalk, pen and brown ink and wash over black clay on paper. 30.4 × 20.2 cm (11.9 × 7.9 in). Antwerp, Museum Plantin-Moretus.

Portrait of Isabella Brant

Two-sided drawing

front:
Portrait of Isabella Brant
. circa 1621-1622. Black and red chalk, brown wash, heightened with white, on paper. 38.1 × 29.4 cm (15 × 11.5 in). London, British Museum.
reverse:
Self-portrait with Helena Fourment and son
label QS:Len,"Self-portrait with Helena Fourment and son"

label QS:Lpl,"Autoportret z Heleną Fourment i synem"

label QS:Lnl,"Zelfportret met Helena Fourment en zoon"
. Black and red chalk on paper. 38.1 × 29.4 cm (15 × 11.5 in). London, British Museum.

Palazzi di Genova

Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Doria
(3). 1622. engraving. 25.5 × 27.7 cm (10 × 10.9 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Cattaneo Adorno
(30). 1622. engraving. 31.1 × 26 cm (12.2 × 10.2 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Campanella
(33). 1622. engraving. 34.2 × 22 cm (13.4 × 8.6 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Pallavicino
(36). 1622. engraving. 35.4 × 30 cm (13.9 × 11.8 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Centurione Cambiaso
(39). 1622. engraving. 40.4 × 31.2 cm (15.9 × 12.2 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Doria Spinola
(42). 1622. engraving. 28.6 × 34.8 cm (11.2 × 13.7 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Spinola
(48). 1622. engraving. 34.7 × 42.9 cm (13.6 × 16.8 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo dell'Acquedotto De Ferrari Galliera
(49). 1622. engraving. 32.2 × 35.6 cm (12.6 × 14 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo di Negro
(51). 1622. engraving. 35.2 × 38.1 cm (13.8 × 15 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo della Rovere
(57). 1622. engraving. 36.6 × 46.8 cm (14.4 × 18.4 in). Amsterdam, Rijksmuseum Amsterdam.
Attributed to Nicolaes Rijckmans (supervised by Peter Paul Rubens).
Palazzo Patrone
(94). 1622. engraving. 35.8 × 42.9 cm (14 × 16.8 in). Amsterdam, Rijksmuseum Amsterdam.

Facade of the
label QS:Len,"Facade of the"

label QS:Lpl,"Fasada"

label QS:Lnl,"Façade van het"

Palazzo Salvago
. circa 1622
date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902
. engraving. 43.5 × 33.5 cm (17.1 × 13.1 in). From Peter Paul Rubens (1622) Palazzi di Genova, Aversa: Rubens, fig. 33.
Palazzo in Genua
. circa 1622
date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902
. engraving. 43.5 × 33.5 cm (17.1 × 13.1 in). From Peter Paul Rubens (1622) Palazzi di Genova, Aversa: Rubens, fig. 57.

Constantine series

The triumph of Rome. The youthful Emperor Constantine honouring Rome
label QS:Len,"The triumph of Rome. The youthful Emperor Constantine honouring Rome"

label QS:Lpl,"Triumf Rzymu. Młody cesarz Konstatntyn honorujący Rzym"

label QS:Lnl,"De triomf van Rome. De jonge keizer Constantijn eert Rome"
. circa 1622-1623. oil on panel. 54 × 69 cm (21.2 × 27.1 in). The Hague, Royal Picture Gallery Mauritshuis.
The marriage of Constantine and Fausta and Constantia and Licinius
label QS:Len,"The marriage of Constantine and Fausta and Constantia and Licinius"

label QS:Lpl,"Ślub Konstantyna z Faustą oraz Konstancji z Licyniuszem"

label QS:Lnl,"De huwelijken van Constantijn en Fausta en van Constantia en Licinius"
, 293. 1622. oil on panel. 47.3 × 64.4 cm (18.6 × 25.3 in). London, Christie's (11 December 1992).
The Emblem of Christ Appearing to Constantine
. 1622. oil on panel. 46.2 × 56 cm (18.1 × 22 in). Philadelphia, Philadelphia Museum of Art.
Constantine receives the standard with the monogram of Christ as the imperial sign (The Labarum)
label QS:Len,"Constantine receives the standard with the monogram of Christ as the imperial sign (The Labarum)"

label QS:Lpl,"Konstantyn otrzymuje sztandar z monogramem Chrystusa jako sztandar cesarstwa"

label QS:Lnl,"Keizer Constantijn neemt het labarum, het vaandel met het Christusmonogram IHS, aan als de keizerlijke standaard"
. 1622. oil on panel. 35.3 × 27.5 cm (13.8 × 10.8 in). New York City, Sotheby's (12 January 1994).
Triumphant Entry of Constantine into Rome, 312
label QS:Len,"Triumphant Entry of Constantine into Rome, 312"

label QS:Lpl,"Triumfalny wjazd Konstantyna do Rzymu, 312"

label QS:Lnl,"De triomfantelijk intocht van Constantijn in Rome, 312"
. circa 1622
date QS:P,+1622-00-00T00:00:00Z/9,P1480,Q5727902
. oil on panel. 48.6 × 64.5 cm (19.1 × 25.3 in). Indianapolis, Indianapolis Museum of Art.
Constantine Triumphans
label QS:Len,"Constantine Triumphans"

label QS:Lpl,"Konstantyn jako triumfator"

label QS:Lnl,"Constantijn als triomfator"
. 1622. oil on panel. 38.1 × 29.1 cm (15 × 11.4 in). New York City, Sotheby's (30 January 1997).
The emperor Constantine venerates the True Cross
label QS:Len,"The emperor Constantine venerates the True Cross"

label QS:Lpl,"Cesarz Konstantyn oddaje cześć relikwiom Krzyża Świętego"

label QS:Lnl,"Keizer Constantijn aanbidt het Ware Kruis"
. 1622. oil on panel. 35.4 × 33.7 cm (13.9 × 13.2 in). London, Christie's (11 December 1992).
The emperor Constantine founding Constantinople
label QS:Len,"The emperor Constantine founding Constantinople"

label QS:Lpl,"Cesarz Konstantyn zakłada Konstantynopol"

label QS:Lnl,"Keizer Constantijn sticht Constantinopel"
. 1622-1623. oil on panel. 41.3 × 40.7 cm (16.2 × 16 in). Karlsruhe, Staatliche Kunsthalle Karlsruhe.
The Death of Constantine the Great
label QS:Len,"The Death of Constantine the Great"

label QS:Lpl,"Śmierć Konstantyna Wielkiego"

label QS:Lnl,"De dood van keizer Constantijn de Grote"
. 1622. oil on panel. 34 × 33.5 cm (13.3 × 13.1 in). London, Christie's (7 December 2006).

Workshop of Philippe Maëcht and Hans Taye.
The marriage of Constantine and Fausta and Constantia and Licinius
label QS:Len,"The marriage of Constantine and Fausta and Constantia and Licinius"

label QS:Lpl,"Ślub Konstantyna z Faustą oraz Konstancji z Licyniuszem"

label QS:Lnl,"De huwelijken van Constantijn en Fausta en van Constantia en Licinius"
, 293. 1622-1625. wool, silk, gold and silver. 485.1 × 608.3 cm (15.9 × 19.9 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Philippe Maëcht and Hans Taye.
Tapestry showing Constantine Worshiping the True Cross, Indicated by Saint Helena
. after 1622
date QS:P,+1622-00-00T00:00:00Z/7,P1319,+1622-00-00T00:00:00Z/9
. wool, silk, gold and silver. 495 × 503 cm (16.2 × 16.5 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Filippe Maëcht and Hans Taye.
Tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge
. 1623-1625. wool, silk, gold and silver. 495 × 745 cm (16.2 × 24.4 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Philippe Maëcht and Hans Taye.
Tapestry showing Constantine's Triumphal Entry into Rome
, 312. 1622-1625. wool, silk, gold and silver. 487 × 544.4 cm (15.9 × 17.8 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Filippe Maëcht and Hans Taye.
Constantine Directing the Building of Constantinople
, 330. 1623-1625. wool, silk, gold and silver. 484 × 480 cm (15.8 × 15.7 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Filippe Maëcht and Hans Taye.
Tapestry showing the Baptism of Constantine
. 1623-1625. wool, silk, gold and silver. 477.5 × 545.5 cm (15.6 × 17.8 ft). Philadelphia, Philadelphia Museum of Art.
Workshop of Filippe Maëcht and Hans Taye.
Tapestry showing the Death of Constantine
. 1623-1625. wool, silk, gold and silver. 489 × 498 cm (16 × 16.3 ft). Philadelphia, Philadelphia Museum of Art.