File:Destruction of the American Fleet at Penobscot Bay, 14 August 1779 RMG BHC0425.tiff

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Dominic Serres: Destruction of the American Fleet at Penobscot Bay, 14 August 1779  wikidata:Q50888687 reasonator:Q50888687
Artist
Dominic Serres  (1722–1793)  wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter
Date of birth/death 1722 Edit this at Wikidata 1793 Edit this at Wikidata
Location of birth/death Auch Marylebone (London)
Work location
London (1758–1793); Spain; Hamburg Edit this at Wikidata
Authority file
creator QS:P170,Q3035468
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Dominic Serres, the Elder
Title
Destruction of the American Fleet at Penobscot Bay, 14 August 1779 Edit this at Wikidata
title QS:P1476,en:"Destruction of the American Fleet at Penobscot Bay, 14 August 1779 Edit this at Wikidata"
label QS:Len,"Destruction of the American Fleet at Penobscot Bay, 14 August 1779 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: Destruction of the American Fleet at Penobscot Bay, 14 August 1779

During the American War of Independence, 1775-1783, the British decided to establish a post on the east side of the entrance to the Penobscot River in Maine. On 16 June 1779 a detachment of 650 troops commanded by Colonels McLean and Campbell arrived by sea from Halifax and began clearing the ground to build a fort on a promontory by the mouth of the river. Before the fortifications had been completed the rebel Commodore Dudley Saltonstall laid siege to the British on July 25 with a fleet consisting of a frigate, 16 sloops and 24 transports. A British relief force consisting of a ship of the line, two frigates and three sloops, commanded by Sir George Collier left New York on August 3 and arrived in Penobscot Bay on the evening of the 13 August. He found Saltonstall’s men-of-war anchored in a crescent across the mouth of the river, the transports behind them. The next morning the British squadron approached them and the whole fleet retired up the river where they were pursued by Collier’s ships, aided by the three sloops which had convoyed the troops from Halifax. Saltonstall’s entire fleet was burned and two associated ships, the ‘Defence’ and ‘Hunter’ were also dealt with. The ‘Defence’ was blown up by her crew and the ‘Hunter’ was captured.

The painting shows the bay viewed from the south. In the left background is the ‘Raisonable’ with a white ensign and broad pendant and firing into the ‘Hunter’. Fires from the British fortifications can be seen in the distance beyond her. To the right are the rest of the ships of the squadron chasing the enemy, many of whose ships are already shown ablaze in the right background.

Destruction of the American Fleet at Penobscot Bay, 14 August 1779
Date Late 18th century
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1016 mm x 1524 mm; Frame: 1198 x 1699 x 93 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0425
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11917
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1931-37
Caird Catalogue Number (CCAT): CC V1, P14, 110
id number: BHC0425
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current12:41, 24 September 2017Thumbnail for version as of 12:41, 24 September 20173,800 × 2,513 (27.32 MB) (talk | contribs)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11917 #1317

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