File:Dutch Attack on the Medway, June 1667 RMG BHC0295.tiff

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Pieter Cornelisz van Soest: Dutch Attack on the Medway, June 1667  wikidata:Q50866152 reasonator:Q50866152
Artist
Pieter Cornelisz van Soest  (fl. 1640 / 1667)  wikidata:Q1764767
 
Alternative names
Pieter van Soest
Description Dutch painter
Date of birth between circa 1600 and circa 1620
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1600-00-00T00:00:00Z/9,P1326,+1620-00-00T00:00:00Z/9,P1480,Q5727902
 Edit this at Wikidata
Work period from 1642 until 1667
date QS:P,+1650-00-00T00:00:00Z/7,P580,+1642-00-00T00:00:00Z/9,P582,+1667-00-00T00:00:00Z/9
Work location
Authority file
creator QS:P170,Q1764767
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Pieter Cornelisz van Soest
Title
Dutch Attack on the Medway, June 1667 Edit this at Wikidata
title QS:P1476,en:"Dutch Attack on the Medway, June 1667 Edit this at Wikidata"
label QS:Len,"Dutch Attack on the Medway, June 1667 Edit this at Wikidata"
label QS:Lnl,"Hollandse aanval op de Medway, juni 1667"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: Dutch Attack on the Medway, June 1667

In the Second Dutch War, 1665-67, it was believed that a peace treaty would be signed with Holland. However, Charles II's attitude at the conference at Breda led to its failure, while at the same time his financial difficulties unabled the English fleet to be fitted out for the summer campaign of 1667. The Dutch fleet was quickly mobilised and the Dutch commander, Lieutenant-Admiral de Ruyter, carried through with complete success the Dutch leader Johan de Witt's bold plan for the invasion of the River Medway in Kent where some of the English navy's best ships were laid up. The river defences were badly prepared and maintained and the Dutch were able to force a passage almost to Chatham Royal Dockyard, only about 30 miles from London. Several large English ships were burnt or sunk at their moorings and the 'Royal Charles', 86 guns, was carried back in triumph to Holland.

In the foreground, the shore is shown with a number of figures on the right. They are probably Englishmen who have escaped from their ships following the attack. To the right of centre the nearest ship is the 'Royal Charles', in port-quarter view, shown just after her capture by the Dutch. To the right, are two other English ships, both in port-quarter view, which are being set on fire by fireships. The bows and foremast of a further burning fireship appears in the extreme right of the painting. Beyond this is an encounter between English and Dutch ships, with two more English ships shown ablaze. On the extreme left, a Dutch flagship, starboard-quarter view, is engaging a fort on land.

In the foreground to the left, are the tops of the masts of several English ships which have been sunk. One small boat is shown with the impossible task of trying to pick up all the survivors clinging to the tops of masts or holding on to wreckage in the water.

The artist worked in Amsterdam, where he was burgomaster in 1642. He may have trained with the marine artist Claes Claesz Wou, and is best known for panoramic battle scenes from the time of the Second Dutch War. Signed 'P van Soest'.

Dutch attack on the Medway, June 1667
Date circa 1667
date QS:P571,+1667-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 660 mm x 1092 mm; Frame: 840 mm x 1274 mm x 97 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0295
Notes Pieter Cornelisz van Soest 1640-1667. Signed.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11787
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: 1937-2048
id number: BHC0295
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current00:19, 30 September 2017Thumbnail for version as of 00:19, 30 September 20176,400 × 3,833 (70.18 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1667), http://collections.rmg.co.uk/collections/objects/11787 #1828

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