File:Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794 RMG BHC0476.tiff

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Henry Perronet Briggs: Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794  wikidata:Q50852712 reasonator:Q50852712
Artist
Henry Perronet Briggs  (1793–1844)  wikidata:Q5726903
 
Alternative names
H.P Briggs; Briggs; A.R.A. Briggs; A.R.A. H.P. Briggs; H.P. Briggs
Description British painter
Date of birth/death 1793 Edit this at Wikidata 18 January 1844 Edit this at Wikidata
Location of birth/death Walworth London
Work location
Authority file
creator QS:P170,Q5726903
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794 Edit this at Wikidata
title QS:P1476,en:"Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794 Edit this at Wikidata"
label QS:Len,"Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre history painting Edit this at Wikidata
Description
English: Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794

Lord Howe is shown on the quarter-deck of the 'Queen Charlotte', receiving a diamond sword from King George III. The King stands in the centre of the deck, with Queen Charlotte to the left, wearing a yellow silk dress with a red petticoat, together with other members of the Royal Family. He also presented a gold chain to Admiral Sir Alexander Hood, Rear-Admiral Gardner and Captain of the Fleet Sir Roger Curtis, who was also Lord Howe's First Captain. Behind Howe stands the third-in-command, Hood, with his hand on his sword. To the right of Hood stands Sir Roger Curtis and Rear-Admiral Gardner, who were both created baronets. The Prime Minister, Pitt, stands on the extreme left, under the royal coat of arms.

This ceremony took place after the Battle of the Glorious First of June 1794, which was the first great naval engagement of the French Revolutionary War. This battle was fought between the French and the British in the Atlantic, about 430 miles west of the Breton island of Ushant, and arose out of an attempt by the British fleet under Howe to intercept a French grain convoy from the United States. Although the convoy escaped the ensuing battle was technically a British victory.

Painted over 30 years after the event this interpretation is an imaginary construction incorporating a collection of recognizable portraits, many of people by then long dead. The women wear a variety of fashions in bright colours and the artist has placed an emphasis on reds and yellows. It is one of four naval subjects for which the British Institution paid £500 each, to encourage British historical painting, all exhibited there before their presentation to the Naval Gallery at Greenwich Hospital.

Briggs, a fashionable portraitist at the time, also included people he knew as models in this picture. The small boy in red, top left, is Frederick Locker (later Locker-Lampson and known as a poet), who mentioned sitting to him for this in his own memoirs. Based on the grouping and likeness (see BHC3165) the man in brown to his right, leaning over the rail, is his father Edward Hawke Locker, senior Commissioner of the Hospital, and the key figure in founding the Naval Gallery for which this work was painted. It is also very likely that his mother is the woman shown full-face immediately behind.

Visit of George III to Howe's Flagship, the 'Queen Charlotte', on 26 June 1794
Depicted people
Date 1828
date QS:P571,+1828-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1625 mm x 2555 mm; Frame: 1940 mm x 2530 mm x 100 mm; Overall: 108 kg
institution QS:P195,Q7374509
Current location
Accession number
BHC0476
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11968
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH39
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC0476
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current02:00, 28 September 2017Thumbnail for version as of 02:00, 28 September 20177,200 × 5,379 (110.8 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1828), http://collections.rmg.co.uk/collections/objects/11968 #1552

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