File:'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture' RMG PU3234.jpg
Original file (855 × 1,280 pixels, file size: 548 KB, MIME type: image/jpeg)
Captions
Summary[edit]
Author |
Caroline Watson; Thomas Payne; after George Romney |
Description |
English: 'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture' A print after a painting of Emma Hart, by George Romney. This dramatic sketch shows Emma posing as Miranda, from Shakespeare’s ‘The Tempest’. She looks upwards, lips parted, in an expression of concern and pleading as she urges her father to calm the tempestuous seas. Romney’s painting of the dramatic moment between Prospero and Miranda (in act 1, scene 2), was his first contribution to Alderman John Boydell’s celebrated Shakespeare Gallery. The largest and most ambitious painting he ever completed, it was destroyed in the 1950s and only a few heavily restored fragments now survive. There are however several sketches of Emma as Miranda, for which she sat before her departure for Naples in March 1786. Emma met Romney in 1782, when she was about 16, through her ‘protector’ Charles Greville. Romney was captivated by her beauty and she became his favourite model until Greville passed her on to the protection of his uncle, Sir William Hamilton, the British ambassador to the Kingdom of Naples. They married in 1791, but in 1799 she also became the lover of Admiral Horatio Nelson in an affair that has become legendary. Caroline Watson engraved works by Reynolds and Romney and was engraver to Queen Caroline. The print is inscribed, ‘Engraved by Caroline Watson 14 Aug 1809, (engraver to Her Majesty) from the original Picture’. While this edition of the print is just inscribed ‘Miranda’ a later one bears the title ‘Lady Hamilton as Miranda’. |
Date | Published 14 April 1809 |
Dimensions | Mount: 483 mm x 318 mm;Primary support: 319 mm x 260 mm |
Notes | Box Title: Lady Hamilton Portraits 1815. |
Source/Photographer | http://collections.rmg.co.uk/collections/objects/107385 |
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
Identifier InfoField | Acquisition Number: 1949-77 id number: PAD3234 |
Collection InfoField | Fine art |
Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:43, 26 September 2017 | 855 × 1,280 (548 KB) | Fæ (talk | contribs) | Royal Museums Greenwich Fine art (1809), http://collections.rmg.co.uk/collections/objects/107385 #3507 |
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Orientation | Normal |
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Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop 7.0 |
File change date and time | 12:23, 3 May 2005 |
Color space | Uncalibrated |