File:'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture' RMG PU3234.jpg

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Author
Caroline Watson; Thomas Payne; after George Romney
Description
English: 'Miranda (Emma Hamilton). Engraved by Caroline Watson 14 Aug 1809, engraver to Her Majesty, from the original Picture'

A print after a painting of Emma Hart, by George Romney. This dramatic sketch shows Emma posing as Miranda, from Shakespeare’s ‘The Tempest’. She looks upwards, lips parted, in an expression of concern and pleading as she urges her father to calm the tempestuous seas. Romney’s painting of the dramatic moment between Prospero and Miranda (in act 1, scene 2), was his first contribution to Alderman John Boydell’s celebrated Shakespeare Gallery. The largest and most ambitious painting he ever completed, it was destroyed in the 1950s and only a few heavily restored fragments now survive. There are however several sketches of Emma as Miranda, for which she sat before her departure for Naples in March 1786.

Emma met Romney in 1782, when she was about 16, through her ‘protector’ Charles Greville. Romney was captivated by her beauty and she became his favourite model until Greville passed her on to the protection of his uncle, Sir William Hamilton, the British ambassador to the Kingdom of Naples. They married in 1791, but in 1799 she also became the lover of Admiral Horatio Nelson in an affair that has become legendary.

Caroline Watson engraved works by Reynolds and Romney and was engraver to Queen Caroline. The print is inscribed, ‘Engraved by Caroline Watson 14 Aug 1809, (engraver to Her Majesty) from the original Picture’. While this edition of the print is just inscribed ‘Miranda’ a later one bears the title ‘Lady Hamilton as Miranda’.

'Miranda' (Emma Hamilton)
Date Published 14 April 1809
Dimensions Mount: 483 mm x 318 mm;Primary support: 319 mm x 260 mm
Notes Box Title: Lady Hamilton Portraits 1815.
Source/Photographer http://collections.rmg.co.uk/collections/objects/107385
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: 1949-77
id number: PAD3234
Collection
InfoField
Fine art

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current17:43, 26 September 2017Thumbnail for version as of 17:43, 26 September 2017855 × 1,280 (548 KB) (talk | contribs)Royal Museums Greenwich Fine art (1809), http://collections.rmg.co.uk/collections/objects/107385 #3507

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