File:元 佚名 倣趙孟頫 九歌圖 冊-Nine Songs MET DP375121.jpg

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Captions

Captions

Nine Songs - album, after Zhao Mengfu (MET, 1973.121.15a–p)

Summary

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Nine Songs 九歌圖   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

Unknown
佚名

After Zhao Mengfu
倣趙孟頫
(1254–1322)
Title
Nine Songs
九歌圖
Description

The Metropolitan Museum of Art states:

The Nine Songs are lyrical, shamanistic incantations dedicated to nine classes of deities worshipped by the Chu people of south China during the first millennium B.C. The original text consists of eleven songs, ten of which are transcribed and illustrated here. The illustrations are preceded by a portrait of the poet Qu Yuan (343–277 B.C.), which is accompanied by an essay entitled "The Fisherman," recounting the poet's state of mind toward the end of his life.
Zhao Mengfu's paintings for the Nine Songs in the baimiao, or "white-drawing" style, are based on compositions by Li Gonglin (ca. 1041–1106) and were a primary source for later fourteenth-century paintings of this theme by Zhang Wu (active 1333–65) and others. Because the calligraphy in the album does not compare with the best of Zhao Mengfu's writing, it is probable that these leaves represent close, reliable copies of Zhao's important work, executed during the fourteenth century. One leaf, "The Lord of Clouds," is a later replacement (no earlier than the seventeenth century).
Date
  • The album is dated to the 14th century (?).
  • This specific album leaf (depicted in the image file) is a later replacement from no earlier than the 17th century.
  • The colophon inscribed on the right side of the leaf is undated. See also the "Inscriptions" field below.
Medium Album of eleven paintings; ink on paper
Dimensions 10 3/8 x 6 1/4 in. (26.4 x 15.9 cm)
institution QS:P195,Q160236
Current location
Asian Art
Accession number
1973.121.15a–p
Credit line Ex coll.: C. C. Wang Family, Fletcher Fund, 1973
Inscriptions

Chinese text, standard script:

浴蘭湯兮沐芳,  華采衣兮若英。
靈蜷兮既留,   爛昭昭兮未央。
謇將憺兮壽宮, 與日月兮齊光。
龍駕兮帝服,    聊翱翔遊兮周章。
靈皇皇兮既降,  焱遠舉兮雲中。
覽冀州兮有餘,  橫四海兮焉窮。
思夫君兮太息,  極勞心兮忡忡。
右雲中君

English translation:

We have bathed in orchid water and washed our hair with perfumes,
And dressed ourselves like flowers in embroidered clothing.
The god has halted, swaying, above us,
Shining with a persistent radiance.
He is going to rest in the House of Life.
His brightness is like that of the sun and moon.
In his dragon chariot, dressed in imperial splendour,
Now he flies off to wander round the sky.
The god had just descended in bright majesty,
When off in a whirl he soared again, far into the clouds.
He looks down on Ji-zhou and the lands beyond it;
There is no place in the world that he does not pass over.
Thinking of that lord makes me sigh
And afflicts my heart with a grievous longing.
To the right is ‘The Lord within the Clouds’

Colophon by Zhang Daqian (張大千, 1899–1983), semi-cursive script, undated:

此一頁不知[脫漏一字]時失去,為何人補畫。以紙墨筆法辨之,當是明末清初人也。何
Notes

The album comprises:

... and leaf M, N, O, and P (consisting of colophons of a later date), which are not uploaded on Wikimedia Commons.
Source/Photographer

https://www.metmuseum.org/art/collection/search/40511

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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