File:A STORY-TELLER ON THE PLATFORM. (1910) - illustration - page 285.png

English: Illustration from page 285 of A STORY-TELLER ON THE PLATFORM..
Caption: "A STORY-TELLER ON THE PLATFORM. Quote: "Entertainments of various kinds are given at the story-tellers’ halls. In some the story-tellers proper appear; half a dozen or more come upon the platform in succession, winding up with the chief story-teller of the evening. Those of the better grade tell serious stories, complete at a sitting or continued through the whole run of the company which is fifteen evenings, for they change twice a month. Most of the others, however, tell short stories, humorous and ending often in a word-play; their object is merely to raise a laugh among their audience. There are also story-tellers of a different kind, whose speciality is tales of war and stories of men famed in Japanese history; but as they talk seriously and not in the light vein of their more humorous confrères. they are not so popular as the latter. It is not, however, always the story-teller who occupy the platform. In the course of the evening there may be music and singing by professionals or conjuring tricks. There are also several halls opened exclusively for the singing of gidayu; and though for their proper singing a deep, strong voice is really requisite, female singers are far more numerous than male in Tokyo. In the capital it is not as in Osaka, the home of gidayu-singing, for a young and pretty girl-singer finds greater favour than a male singer of skill and experience. In one evening half a dozen such singers perform, the last being the head of the troupe.
n these halls some of the stories told are far from edifying; but from others the lower classes become acquainted with the lives of the noted men of their country. The proletariat in Japan are probably more intimate with the history of their country than those of other lands. Such history may not always be authentic; but of the famous names in that history, warriors, statesmen, priests, and scholars, they hear from the more serious entertainers at the halls; and the gidayu has also an educative influence, for it inculcates unceasingly the duty of loyalty and filial piety and never tires of dwelling upon the nobleness of self-sacrifice."