File:Adorazione dei magi, filippino lippi.JPG
原始文件 (1,000 × 1,023像素,文件大小:201 KB,MIME类型:image/jpeg)
说明
摘要
[编辑]菲利皮诺·利皮:三博士来朝 (利皮) | ||||||||||||||||||||||||
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艺术家 | ||||||||||||||||||||||||
标题 |
三博士来朝 |
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物体类型 | 畫作 | |||||||||||||||||||||||
藝術類型 | 宗教藝術 | |||||||||||||||||||||||
描述 | ||||||||||||||||||||||||
描绘人物 | ||||||||||||||||||||||||
日期 |
1496年 date QS:P571,+1496-00-00T00:00:00Z/9 |
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表现形式 | 油彩在木板上方 | |||||||||||||||||||||||
尺寸 |
高度:258厘米;宽度:243厘米 dimensions QS:P2048,258U174728 dimensions QS:P2049,243U174728 |
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藏于 |
institution QS:P195,Q51252 |
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现存地点 | ||||||||||||||||||||||||
登录号 |
00285664 (烏菲茲美術館) |
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参考 | ||||||||||||||||||||||||
来源/摄影师 |
Web Gallery of Art: 图像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/l/lippi/flippino/2/5magi.html" |
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其他版本 |
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许可协议
[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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当前 | 2009年10月23日 (五) 08:15 | 1,000 × 1,023(201 KB) | Shakko(留言 | 贡献) | quality | |
2006年9月20日 (三) 09:46 | 566 × 600(155 KB) | Sailko(留言 | 贡献) | Adorazione_dei_magi,_filippino_lippi Category:Filippino Lippi Category:Galleria degli Uffizi |
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JPEG文件备注 | LIPPI, Filippino
(b. ca. 1457, Prato, d. 1504, Firenze) Adoration of the Magi 1496 Oil on wood, 258 x 243 cm Galleria degli Uffizi, Florence This painting was commissioned to replace Leonardo's picture of the same subject, after Leonardo had moved from Florence to Milan. Given the built-in element of competition, it is legitimate to ask whether Filippino was up to the task. Because Leonardo's Adoration of the Magi was some fifteen years earlier and never completed, a comparison is not altogether fair. Lippi's highly effective picture is full of incidents, although the end result could be considered excessive in detail. One of the interesting things about this composition, jammed with figures, is identifying the characters. Critics claim to have identified Pier Francesco Medici the Elder, as well as his two sons Lorenzo il Popolano and Giovanni il Popolano (father of the famous condottiere Giovanni dalle Bande Nere), and Piero il Pugliese. The work shows traces of influence of North European painting, which had come to Florence with the Portinari Triptych by Hugo van der Goes, while the figures grouped excitedly around the central nucleus are already sixteenth century and are derived directly from Leonardo da Vinci. Filippino draws inspiration here from two other well-known Adorations of an earlier date, those of Sandro Botticelli and Leonardo, both by portraying the crowds that closes in around the divine group, and by including the young man with a characteristic tuft of hair on the right.
Author: LIPPI, Filippino Title: Adoration of the Magi Time-line: 1451-1500 School: Italian Form: painting Type: religious |
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- WGA form: painting
- WGA type: religious
- WGA School: Italian
- WGA time period: 1451-1500