File:Albert Guyot at the 1922 French Grand Prix (3) (cropped).jpg

This work is in the public domain in France for one of the following reasons:

• Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)^[1];
• It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work^[2] and more than 70 years have passed since its publication (CPI art. L123-3);
• It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).

---

Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.

1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

العربية ∙ English ∙ español ∙ français ∙ 日本語 ∙ 한국어 ∙ македонски ∙ русский ∙ Tiếng Việt ∙ 简体中文 ∙ 繁體中文 ∙ +/−

This work is in the public domain in France for one of the following reasons: Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1]; It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3); It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4). Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation). ↑ The collective work status is quite restrictive, please make sure that it is actually established. العربية ∙ English ∙ español ∙ français ∙ 日本語 ∙ 한국어 ∙ македонски ∙ русский ∙ Tiếng Việt ∙ 简体中文 ∙ 繁體中文 ∙ +/−

Das Original selbst ist gemeinfrei in den Vereinigten Staaten von Amerika aus folgendem Grund:

Dieses Werk ist gemeinfrei in den Vereinigten Staaten, weil es vor dem 1. Januar 1929 veröffentlicht (oder beim U.S. Copyright Office registriert) wurde.

Dieser Hinweis wurde für Fälle entworfen, in denen erklärt werden muss, dass jegliche Verbesserungen (zum Beispiel von Helligkeit, Kontrast, Farbabgleich, Schärfe) für sich selbst nicht ausreichend sind, um ein neues Copyright zu schaffen. Er kann verwendet werden, wenn unbekannt ist, ob Verbesserungen vorgenommen wurden, oder wenn Verbesserungen erkennbar, aber nicht ausreichend sind. Für bekanntermaßen unbearbeitete Scans kannst Du statt dessen den passenden {{PD-old}}-Hinweis verwenden. Anwendungshinweise findest Du unter Commons:When to use the PD-scan tag.

Beachte: Dieser Hinweis gilt nur für Scans und Fotos. Für Fotos von gemeinfreien Originalen aus der Ferne kann {{PD-Art}} anwendbar sein. See Commons:When to use the PD-Art tag.

Deutsch | English | français | 中文 | +/−