File:Alegoria ao Amor e à Música.jpg
Original file (3,312 × 2,468 pixels, file size: 11.02 MB, MIME type: image/jpeg)
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Object
Alegoria ao Amor e à Música.jpg (secção) ( ) | ||||||||||||||||||||||||
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Title |
Alegoria ao Amor e à Música.jpg (secção) |
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Description |
Português: Cena de temática amorosa. Pequeno batel conduzido por um ‘putto’ que rema na proa do barco. Na popa está hasteada a bandeira do amor, com um coração trespassado por duas setas, e outro ‘putto’ que toca trombeta. No centro do batel estão dois homens (?) e três mulheres, sentados ao redor de uma mesa. Estão a tocar guitarra, flauta transversal e viola da gamba. Ao casco do barco estão atadas duas garrafas de vinho, para que a água o mantenha fresco. Todos estes elementos sugerem os prazeres da música, do vinho e do amor, personificados pela figura do Cupido. O painel encontra-se no Palácio Mello. O Palácio Mello foi adquirido cerca de 1718 por D. Pedro José de Mello, que o mandou posteriormente reconstruir e decorar. D. Pedro faleceu em 1740, pelo que podemos situar os azulejos no primeiro quartel do Séc. XVIII. Em 1854 o edifício foi anexado ao antigo Asilo da Mendicidade. Hoje faz parte do complexo do Hospital de Santo António dos Capuchos, em Lisboa. |
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Medium | azulejo | |||||||||||||||||||||||
Collection |
institution QS:P195,Q10298469 |
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Permission (Reusing this file) |
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Photograph
DescriptionAlegoria ao Amor e à Música.jpg | |
Date | |
Source | IconoMus |
Author | IconografiaMusical |
Licensing
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:47, 1 August 2023 | 3,312 × 2,468 (11.02 MB) | IconografiaMusical (talk | contribs) | Uploaded own work with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Image title | SONY DSC |
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Camera manufacturer | SONY |
Camera model | DSLR-A100 |
Author | Luzia Rocha |
Exposure time | 3/5 sec (0.6) |
F-number | f/4 |
ISO speed rating | 400 |
Date and time of data generation | 17:39, 12 January 2008 |
Lens focal length | 20 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 17:39, 12 January 2008 |
Y and C positioning | Centered |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 17:39, 12 January 2008 |
Meaning of each component |
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Image compression mode | 8 |
APEX brightness | −2.25 |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, auto mode |
DateTime subseconds | 000 |
DateTimeOriginal subseconds | 000 |
DateTimeDigitized subseconds | 000 |
Supported Flashpix version | 1 |
Color space | Uncalibrated |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 30 mm |
Scene capture type | Standard |
Scene control | Low gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |