File:Andrew Plimer - Portrait of Anna Walmesley - 1943.648 - Cleveland Museum of Art.tif
Original file (6,000 × 8,000 pixels, file size: 137.34 MB, MIME type: image/tiff)
Captions
Summary
[edit]Portrait of Anna Walmesley | ||||||||||||||||||||||||
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Artist |
Andrew Plimer |
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Title |
Portrait of Anna Walmesley |
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Object type |
portrait miniature object_type QS:P31,Q282129 |
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Genre | portrait miniature | |||||||||||||||||||||||
Description |
Sons of a clockmaker, Nathaniel Plimer and his younger brother Andrew initially trained in their father's profession, although they grew restless with this trade, and ran off to live with Gypsies for two years. By 1781, they were together in London, and determined to practice art. Both took up residence with established artists. Nathaniel worked as a servant to the enamelist Henry Bone, and Andrew became the valet to the portrait and miniature painter Richard Cosway. Cosway discovered Andrew copying one of his miniatures and introduced him to miniature painting. Andrew assimilated his master's airy execution and adapted Cosway's linear brushwork that leaves much of the bare ivory visible. He also employed Cosway's use of large, expressive eyes that made his miniatures appear soulfully elegant, earning him high praise among legions of admirers. A quick study, Andrew set up his own studio by 1786 and he exhibited regularly at the Royal Academy of Arts from 1786–1830. Andrew Plimer's works fall into two phases. In the first, his sitters appear more naturalistically rendered than those painted after around 1789. During the earlier period he frequently included his initials, "A.P.," on the front of the miniature, followed by a date. By contrast, he did not sign or date works in the second phase. Furthermore, in Andrew's second phase of work, he reduced his palette and, perhaps due to his high output, sitters share many visual characteristics; in particular, his women have elongated necks, long noses, and large appealing eyes. |
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Date |
1795 date QS:P571,+1795-00-00T00:00:00Z/9 |
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Medium | Watercolor on ivory in a gold frame with hair reverse | |||||||||||||||||||||||
Dimensions | Image: 6.4 x 5.6 cm (2 1/2 x 2 3/16 in.); Framed: 7.5 x 6 cm (2 15/16 x 2 3/8 in.); Sight: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in.) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
European Painting and Sculpture |
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Accession number |
1943.648 |
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Place of creation | England, 18th century | |||||||||||||||||||||||
Credit line | The Edward B. Greene Collection | |||||||||||||||||||||||
References | https://clevelandart.org/art/1943.648 | |||||||||||||||||||||||
Source/Photographer | https://clevelandart.org/art/1943.648 |
Licensing
[edit]This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. | |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 01:17, 6 April 2019 | 6,000 × 8,000 (137.34 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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File usage on Commons
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- Usage on en.wikipedia.org
- Usage on www.wikidata.org
- Wikidata:WikiProject sum of all paintings/Missing creator with image
- Wikidata:WikiProject sum of all paintings/Location/United States/Missing creator
- Wikidata:WikiProject sum of all paintings/Collection/Cleveland Museum of Art
- User:Nurni/Painting candidates
- Wikidata:WikiProject Cleveland Museum of Art/All Paintings
- Q79900600
Metadata
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Camera manufacturer | Sinar Photography AG |
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Camera model | Sinarback eVolution 86, Sinar p3 / f3 |
Author | Howard Agriesti |
Width | 6,000 px |
Height | 8,000 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 12,164 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 8,000 |
Bytes per compressed strip | 144,000,000 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 09:53, 28 February 2013 |
Color space | sRGB |
warning | identify: Incompatible type for "RichTIFFIPTC"; tag ignored. `TIFFFetchNormalTag' @ warning/tiff.c/TIFFWarnings/912. |