File:Barrington's Action at St Lucia, 15 December 1778 RMG BHC0422.tiff

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Dominic Serres: Barrington's Action at St Lucia, 15 December 1778  wikidata:Q50868825 reasonator:Q50868825
Artist
Dominic Serres  (1722–1793)  wikidata:Q3035468
 
Dominic Serres
Alternative names
Dominic Serres the Elder
Description British-French painter
Date of birth/death 1722 Edit this at Wikidata 1793 Edit this at Wikidata
Location of birth/death Auch Marylebone (London)
Work location
London (1758–1793); Spain; Hamburg Edit this at Wikidata
Authority file
creator QS:P170,Q3035468
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Dominic Serres, the Elder
Title
Barrington's Action at St Lucia, 15 December 1778 Edit this at Wikidata
title QS:P1476,en:"Barrington's Action at St Lucia, 15 December 1778 Edit this at Wikidata"
label QS:Len,"Barrington's Action at St Lucia, 15 December 1778 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: Barrington's Action at St Lucia, 15 December 1778

When France allied herself with the American rebels in 1778, during the American Revolutionary War, the naval commander-in-chief in the West Indies, Rear-Admiral Samuel Barrington, moved very swiftly against the French island of St Lucia. He had been joined by Commodore Hotham on 10 December whose squadron brought him 5000 troops. Sailing on 12 December he landed his men on the beaches of the Grand Cul de Sac on the west side of the island, which was lightly held by the French. Barrington disposed his ships at anchor in a defensive line off the mouth of the bay, to cover the landing and the transports. The troops made a rapid advance into the interior and most of the island was secured by the afternoon of the 15th.

This coincided with the arrival of Admiral d'Estaing and the French West Indies fleet, which included 12 ships of the line and which immediately attacked the anchored line of British ships in an effort to displace them and destroy the transports sheltering inshore. Barrington had, however, placed his ships well and had no difficulty rebuffing this brief assault. D'Estaing then landed 7000 troops on the 17th at a bay just north of the Grand Cul de Sac but his attempts to storm the higher British positions were repulsed with heavy loss of life. He then waited twelve days for conditions to favour a renewed attack on Barrington's ships, which improved their defensive positions in the interval. By 29 December the wind conditions were still unfavourable so d'Estaing quit the island and the embattled French governor surrendered the following day.

On the right is the southern point of the Grand Cul de Sac, with the 'Prince of Wales', in port-quarter view anchored off it, sternmost of the British line. Only the three leading British ships are in action and the wind conditions are forcing the French line to break away before they can engage the sternmost ships. In fact, the conditions did not permit the French to get as close to the British line as the picture indicates. On the left picture are several small vessels wearing the flag of the American rebel forces and early forms of the 'Stars and Stripes'.

This picture is one of a pair commissioned by Barrington and is signed and dated 'D Serres 1780'. The other, which shows the British fleet at anchor after the action, has recently been reunited with it in the Museum's collection (ZBA2204). Both were exhibited at the Royal Academy in 1780.

Barrington's Action at St Lucia, 15 December 1778
Date 1780
date QS:P571,+1780-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1041.4 x 1841.5 mm; Frame: 1264 x 2055 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC0422
Notes Signed and dated 1780.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/11914
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH67
Loan File Number: Y2000.023
file number: 4G10.031
id number: BHC0422
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current12:32, 6 October 2017Thumbnail for version as of 12:32, 6 October 20177,200 × 4,128 (85.03 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1780), http://collections.rmg.co.uk/collections/objects/11914 #2453

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