File:Basavana - Page from Tales of a Parrot (Tuti-nama)- Thirty-first night- The donkey, in - 1962.279.207.a - Cleveland Museum of Art.tif
![File:Basavana - Page from Tales of a Parrot (Tuti-nama)- Thirty-first night- The donkey, in - 1962.279.207.a - Cleveland Museum of Art.tif](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Basavana_-_Page_from_Tales_of_a_Parrot_%28Tuti-nama%29-_Thirty-first_night-_The_donkey%2C_in_-_1962.279.207.a_-_Cleveland_Museum_of_Art.tif/lossy-page1-450px-Basavana_-_Page_from_Tales_of_a_Parrot_%28Tuti-nama%29-_Thirty-first_night-_The_donkey%2C_in_-_1962.279.207.a_-_Cleveland_Museum_of_Art.tif.jpg?20190314192746)
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Captions
Captions
Summary
[edit]Basawan: The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
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Artist |
Basavana |
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Title |
Page from Tales of a Parrot (Tuti-nama): Thirty-first night: The donkey, in a tiger's skin, reveals his identity by braying aloud |
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Part of |
Tuti-Nama (Tales of a Parrot) ![]() |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
This painting illustrates a story about a merchant who owned a donkey but did not have enough money to feed him. He was able to secure a lion's skin, in which he dressed his donkey at night, so he could forage freely in fields, frightening away the owners’ watchmen, seen here scrambling up in trees for safety. He succeeded for a time and grew fat and healthy, until a nearby donkey brayed, and he instinctively answered, revealing his true identity. The distinctive painterly style of this page appears to be the work of one of Akbar's most talented artists, Basawan. The free brushwork is complex but assured with a soft and wet application of color in the billowing grass, trees, and the furry texture of the lion skin, rendered here as that of a tiger. |
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Date |
between 1558 and 1560 date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1558-00-00T00:00:00Z/9,P1326,+1560-00-00T00:00:00Z/9 |
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Medium | Opaque watercolor, ink, and gold on paper | |||||||||||||||||||||||
Collection |
institution QS:P195,Q657415 |
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Current location |
Indian and Southeast Asian Art |
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Accession number |
1962.279.207.a |
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Place of creation | India, Mughal, Reign of Akbar, 16th century | |||||||||||||||||||||||
Credit line | Gift of Mrs. A. Dean Perry | |||||||||||||||||||||||
References |
https://clevelandart.org/art/1962.279.207.a ![]() |
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Source/Photographer | https://clevelandart.org/art/1962.279.207.a |
Licensing
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This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication. |
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
http://creativecommons.org/publicdomain/zero/1.0/deed.enCC0Creative Commons Zero, Public Domain Dedicationfalsefalse |
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This file was donated to Wikimedia Commons as part of a project with the Cleveland Museum of Art. See the Open Access at the Cleveland Museum of Art.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:27, 14 March 2019 | ![]() | 3,750 × 5,000 (53.67 MB) | Madreiling (talk | contribs) | pattypan 18.02 |
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Width | 3,750 px |
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Height | 5,000 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 23,314 |
Number of components | 3 |
Number of rows per strip | 5,000 |
Bytes per compressed strip | 56,250,000 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 7.0 |
File change date and time | 15:13, 15 April 2005 |
Color space | Uncalibrated |