File:Cimon and Pero by Willem Drost, ca. 1655-1657.jpg
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Summary[edit]
Author |
creator QS:P170,Q60099 |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Cimon and Pero by Willem Drost, ca. 1655-1657, oil on canvas, 149 x 104 cm |
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Date |
between circa 1655 and circa 1657 date QS:P571,+1655-00-00T00:00:00Z/8,P1319,+1655-00-00T00:00:00Z/9,P1326,+1657-00-00T00:00:00Z/9,P1480,Q5727902 |
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Source/Photographer | Web Gallery of Art |
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Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:45, 23 January 2020 | 556 × 800 (34 KB) | Wmpearl (talk | contribs) | {{Information |description ={{en|1=''Cimon and Pero'' by Willem Drost, ca. 1655-1657, oil on canvas, 149 x 104 cm}} |date =ca. 1655-1657 |source =Web Gallery of Art |author =Willem Drost }} {{DEFAULTSORT:Drost, Willem}} Category:Paintings by Willem Drost Category:Paintings of Charity (breastfeeding) |
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JPEG file comment | DROST, Willem
(b. 1633, Amsterdam, d. 1659, Venezia) Roman Charity 1655-57 Oil on canvas, 149 x 104 cm Private collection Drost's Roman Charity is a remarkable synthesis of the artist's early training in Amsterdam under Rembrandt and the more mature style he developed in Venice, when he came under the direct spell of both Titian and the Italian tenebrist movement made popular by Jusepe de Ribera. His Italian oeuvre reveals a strong affinity for this tenebrist style prevalent in Venice at the time. Of the examples of 'filial piety' in the literature of antiquity, that of Cimon and Pero was one of the ones that appealed most to artists of the 16th to 18th centuries in Italy and the Netherlands. Valerius Maximus tells of a certain Cimon, an aged man, who was in prison awaiting execution and who was therefore given no food. The jailer allowed Cimon's daughter Pero to visit him. She nourished him by giving him her breast. The scene is a prison cell; the prisoner, manacled, reclines in the lap of a young woman who is suckling him.
Author: DROST, Willem Title: Roman Charity Time-line: 1601-1650 School: Dutch Form: painting Type: mythological |
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