File:David-Oath of the Horatii-1784.jpg
Fichièr d'origina (1 292 × 1 001 pixèl, talha del fichièr: 154 Ko, tipe MIME: image/jpeg)
Llegendes
Descripcion[modificar]
Jacques-Louis David : El jurament dels Horacis | ||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artista |
artist QS:P170,Q83155 |
|||||||||||||||||||||||||||
Títol |
English: The Oath of the Horatii Русский: Клятва Горациев Français : Le Serment des Horaces Türkçe: Baba ve üç oğlunun savaş yeminidir arka plandakiler eşler ve kız kardeşlerdir. |
|||||||||||||||||||||||||||
Type d'objet | pintura | |||||||||||||||||||||||||||
Genre | pintura d'història | |||||||||||||||||||||||||||
Persones retratades | Publius Horatius | |||||||||||||||||||||||||||
Data |
1784 date QS:P571,+1784-00-00T00:00:00Z/9 |
|||||||||||||||||||||||||||
Material/Tècnica |
oli sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
|||||||||||||||||||||||||||
Dimensions |
Nautor : 330 cm ; Largor : 425 cm dimensions QS:P2048,330U174728 dimensions QS:P2049,425U174728 |
|||||||||||||||||||||||||||
Colleccion |
institution QS:P195,Q19675 |
|||||||||||||||||||||||||||
Lloc actual |
Louvre, Paris, France |
|||||||||||||||||||||||||||
Número d'inventari |
3692 |
|||||||||||||||||||||||||||
Lloc de creació | Roma | |||||||||||||||||||||||||||
Expositions |
|
|||||||||||||||||||||||||||
Inscripcions |
|
|||||||||||||||||||||||||||
Notes | Das Bild verstand sich als Initialbild einer neuen Kunstrichtung und kehrte sich sowohl im Thema, als auch in der Gestaltung radikal von der vorhergehenden Kunstrichtung ab. | |||||||||||||||||||||||||||
Referències | http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=22497&langue=en | |||||||||||||||||||||||||||
Contraròtle d'autoritats | ||||||||||||||||||||||||||||
Origen/Fotògraf |
Web Gallery of Art: Imatge Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/d/david_j/2/201david.html" |
|||||||||||||||||||||||||||
Autras versions | Jacques-Louis David 020.jpg |
Publicat jos licéncia(s)[modificar]
Això és una mera fotografia d'una obra d'art bidimensional en domini públic. L'obra d'art original és en domini públic pel següent motiu:
La posició oficial de la Fundació Wikimedia és que «les reproduccions fidels d'obres d'art bidimensionals de domini públic són en domini públic».
Per tant, aquesta reproducció fotogràfica també es considera en domini públic als Estats Units. En altres jurisdiccions la reutilització d'aquest contingut pot estar restringida; vegeu Reuse of PD-Art photographs per a més informació. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Dieses Bild mit seiner strengen, zeichnerisch bestimmten Komposition auf klar begrenzter Raumbühne, wurde von den Zeitgenossen als das Programmbild des Klassizismus verstanden. Es ist erfüllt von moralischem Pathos und tritt thematisch für sittlichen Ernst und Menschenwürde ein - somit ein politisch motiviertes Bild.
Istoric del fichièr
Clicar sus una data e una ora per veire lo fichièr tal coma èra a aqueste moment
Data e ora | Miniatura | Dimensions | Utilizaire | Comentari | |
---|---|---|---|---|---|
actual | 10 abril de 2007 a 20.38 | 1 292 × 1 001 (154 Ko) | Grendelkhan (discussion | contribucions) | {{Painting| |Title={{en|The Oath of the Horatii}} |Technique={{en|Oil on canvas}} |Dimensions=129 3/4 x 167 1/8 inches (329.8 x 424.8 cm) |Location=Paris, France |Country= |Gallery=Louvre |Notes= |Source=[http://www.wga.hu/frames-e.html?/html/d/david_ |
Podètz pas remplaçar aqueste fichièr.
Paginas que contenon lo fichièr
Las paginas çaijós compòrtan aqueste imatge :
Usatge global del fichièr
Los autres wikis seguents utilizan aqueste imatge :
- Utilizacion sus als.wikipedia.org
- Utilizacion sus ar.wikipedia.org
- Utilizacion sus ast.wikipedia.org
- Utilizacion sus az.wikipedia.org
- Utilizacion sus ba.wikipedia.org
- Utilizacion sus bg.wikipedia.org
- Utilizacion sus bs.wikipedia.org
- Utilizacion sus ca.wikipedia.org
- Utilizacion sus cs.wikipedia.org
- Utilizacion sus cv.wikipedia.org
- Utilizacion sus cy.wikipedia.org
- Utilizacion sus da.wikipedia.org
- Utilizacion sus de.wikipedia.org
- Utilizacion sus el.wikipedia.org
- Utilizacion sus en.wikipedia.org
Veire l'utilizacion globala d'aqueste fichièr.
Metadonadas
Aqueste fichièr conten d'entresenhas suplementàrias probablament apondudas per l’aparelh de fòto numeric o l'escanèr que las a aquesas. Se lo fichièr es estat modificat dempuèi son estat original, d'unes detalhs pòdon reflectir pas entièrament l’imatge modificat.
Comentari de fichièr JPEG | DAVID, Jacques-Louis
(b. 1748, Paris, d. 1825, Bruxelles) The Oath of the Horatii 1784 Oil on canvas, 330 x 425 cm Musée du Louvre, Paris David owed his rise to fame - after many reversals - to a painting for the execution of which he took his family to Rome, in order to absorb himself totally in the world of antique forms. It was The Oath of the Horatii. When he arrived to Rome, David rent a studio in the Via del Babuino. He worked in a very methodical manner on The Oath of the Horatii, drawing from life models and draped mannequins, and some very detailed studies survive for many of the main figures. He had accessories such as the swords and helmets made by local craftsmen so that they could serve as props. Drouais is supposed to have assisted David, painting the arm of the rear Horatii brother and the yellow garment of Sabina. The painting was finished at the end of July 1785, and was then exhibited in David's studio. David signed the painting and added the painting's place of origin to the signature and date: L David / faciebat / Romanae /Anno MDCCLXXXIV. The painting created a sensation, even the Pope wanted to view it. The story is from the 7th century B.C., and it tells of the triplet sons of Publius Horatius, who decided the struggle between Rome and Albalonga. One survived, but he killed his own sister because she wept for one of the fallen foes, to whom she was betrothed. Condemned to death for the murder of a sibling, Horatius' son is pardoned by the will of the people. Because of its austerity and depiction of dutiful patriotism, The Oath of the Horatii is often considered to be the clearest expression of Neoclassicism in painting. The painting's uncompromising directness, economy and tension made it instantly memorable and full of visual impact. Each of the three elements of the picture - the sons, the father and the women - is framed by a section of a Doric arcade, and the figures are located in a narrow stage-like space. David split the picture between the masculine resolve of the father and brothers and the slumped resignation of the women.. The focal point of the work is occupied by the swords that old Horatius is about to distribute to his sons. While the rear two brothers take the oath with their left hands, the foremost one swears with his right. Perhaps David did this simply as a way of grouping the figures together, but people at the time noticed this detail, and some supposed that this meant that the brother in the front would be the one to survive the combat.
Author: DAVID, Jacques-Louis Title: The Oath of the Horatii Form: painting Time-line: 1801-1850 School: French Type: historical |
---|