File:Double Raphael.jpg
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Captions
Summary[edit]
Raphael: Portrait of Andrea Navagero and Agostino Beazzano | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q5597 |
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Title |
English: Double Portrait |
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Object type | painting | ||||||||||||||||||||||||
Genre | portrait | ||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||
Date |
circa 1516 date QS:P571,+1516-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 77 cm (30.3 in); width: 111 cm (43.7 in) dimensions QS:P2048,77U174728 dimensions QS:P2049,111U174728 |
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Collection |
institution QS:P195,Q1203458 |
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References | |||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/raphael/5roma/3/05double.html" |
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Other versions |
Licensing[edit]
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This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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current | 20:55, 11 April 2023 | 1,118 × 770 (52 KB) | Stv26 (talk | contribs) | Reverted to version as of 11:28, 2 December 2005 (UTC) per COM:OVERWRITE, please upload your picture under a separate file | |
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11:40, 20 October 2005 | 400 × 275 (7 KB) | Attilios (talk | contribs) |
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File usage on Commons
The following 9 pages use this file:
- Paintings by Raffaello Sanzio
- Paintings in the Galleria Doria Pamphilj (Rome)
- Raffaello Sanzio catalogue raisonné, 1966 De Vecchi
- Raffaello Sanzio catalogue raisonné, 1971 Dussler
- Raffaello Sanzio catalogue raisonné, 1989 Ferino Pagden and Zancan
- File:Agostino Beazzano by Raphael.jpg
- File:Andrea Navagero and Agostino Beaziano by Raphael.jpg
- File:Double Raphael.jpg
- File:Portrait of Andrea Navagero by Rafael.jpg
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- Q2535482
- Wikidata:WikiProject sum of all paintings/Location/Italy/Missing inventory number
- Wikidata:WikiProject sum of all paintings/Creator/Raphael
- Wikidata:WikiProject sum of all paintings/Collection/Doria Pamphilj Gallery
- Wikidata:WikiProject Men/Portraits of Men 1510-1519
- Wikidata:WikiProject sum of all paintings/Made from material missing painting surface
Metadata
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JPEG file comment | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) Double Portrait c. 1516 Oil on canvas, 77 x 111 cm Galleria Doria Pamphilj, Rome This austere double portrait of great stylistic restraint, set against a green background, in which the two figures, perhaps intentionally conceived by the artist in the manner of Roman busts, seem not to communicate with one another, has never roused a great deal of enthusiasm on the part of critics. In fact, no one has ever seriously studied of this painting and, even though it is now almost universally agreed to be the work of Raphael, the identity of the two figures has remained highly debatable. Some have seen them as Luther and Calvin (Pamphilj inventory of circa 1684), or as Bartolo da Sassoferrato and Baldo degli Ubaldi, two fourteenth-century jurists (inventory of Olimpia Aldobrandini ante 1665), or as Andrea Doria and Christopher Columbus, an interesting idea, or finally, as Andrea Navagero and Agostino Beaziano, a highly plausible identification that has been accepted by the most recent literature. We know from a letter written by Pietro Bembo on April 3, 1516, to Cardinal Bibbiena, that Raphael, Castiglione, Navagero and Beaziano had planned to make a trip to Tivoli together the following day. It is likely that the artist intended to paint a dual portrait of the two men: Andrea Navagero (1453-1529; humanist and man of letters, since 1515 librarian of St Mark's, who left Rome at the end of April for Venice, so his portrait would have to have been finished before his departure) and Agostino Beaziano (born in Treviso around the last decade of the fifteenth century and died in 1549, he started on a career in diplomacy through the intercession of Bembo, who took him around so that he could establish links with the most famous personages on the Roman scene). It is also likely that the painting was intended for their common friend Bembo, and it is in fact recorded as belonging to him in 1538, when he gave it to the surviving member of the pair, Beaziano, begging him "to take care that [the two heads] do not get spoilt." These facts are confirmed by the contemporary Marcantonio Michiel, who adds that the double portrait was painted on panel. This has led some critics to reject the Doria Pamphilj picture, considering it to be a copy on canvas. Yet it is easy to eliminate this objection, given that the picture here, already listed in the collection of Cardinal Pietro Aldobrandini in 1603 (as "Two portraits both the work of Raffaelle Da Urbino," and thus without any reference to the identity of the figures), later passed into that of Olimpia Aldobrandini Pamphilj, where it was cited before 1665 as canvas applied to panel. The wooden support was later removed, leaving the work in its present state. It would seem therefore correct to identify this picture (of which there are two copies with separate portraits in the Prado) as the Portrait of Navagero and Beaziano, painted by Raphael in April 1516 as a mark of their friendship. However a degree of uncertainty must remain, especially with regard to the age of the figures, which appears to be greater than that of the two men at the time, about thirty-three and twenty-six, respectively. In addition, other portraits that are definitely of Andrea Navagero, such as the 1526 one by Titian's school in Berlin or the one in a Roman collection, raise further doubts about the identification. The difficulties in judging similarities of appearance are well known, especially where historical personages are concerned. So the problem of Raphael's Double Portrait in the Galleria Doria Pamphilj remains unsolved.
Author: RAFFAELLO Sanzio Title: Double Portrait Time-line: 1501-1550 School: Italian Form: painting Type: portrait |
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- Portraits of males by Raffaello Sanzio
- Andrea Navagero
- Agostino Beaziano
- Portrait paintings in the Galleria Doria Pamphilj (Rome)
- Renaissance paintings in Rome
- 16th-century portrait paintings of men at half length
- 16th-century portrait paintings of bearded men
- 1510s portrait paintings of men
- Pendant portraits
- Portraits half-turned
- 16th-century men looking at viewer in art
- 1510s portrait paintings from Italy (male)
- 1510s oil on canvas paintings in Italy