File:India statue of nataraja.jpg
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本预览的尺寸:450 × 600像素。 其他分辨率:180 × 240像素 | 360 × 480像素 | 576 × 768像素 | 768 × 1,024像素 | 1,704 × 2,272像素。
原始文件 (1,704 × 2,272像素,文件大小:1.16 MB,MIME类型:image/jpeg)
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[编辑]描述India statue of nataraja.jpg |
English: Metropolitan Museum of Art, NYC.
Shiva as Lord of Dance (Nataraja), Chola period (880-1279), ca. 11th century Tamil Nadu, India Copper alloy; H. 26 7/8 in. (68.3 cm); Diam. 22 1/4 in. (56.5 cm) Gift of R. H. Ellsworth Ltd., in honor of Susan Dillon, 1987 (1987.80.1) If a single icon had to be chosen to represent the extraordinarily rich and complex cultural heritage of India, the Shiva Nataraja might well be the most remunerative candidate. It is such a brilliant iconographic invention that it comes as close to being a summation of the genius of the Indian people as any single icon can. Sculptures of Shiva dancing survive from at least as early as the fifth century, but it was under the rule of the great Chola dynasty of southern India (880-1279) that the world-famous iconographic type evolved. The setting of Shiva's dance is the golden hall of Chidambaram, at the center of the universe, in the presence of all the gods. Through symbols and dance gestures, Shiva taught the illustrious gathering that he is Creator, Preserver, and Destroyer. As he danced he held in his upper right hand the "damaru," the hand drum from which issued the primordial vibrating sound of creation. With his lower right hand he made the gesture of "abhaya," removing fear, protecting, and preserving. In his upper left hand he held "agni," the consuming fire of dynamic destruction. With his right foot he trampled a dwarf like figure (apasmara purusha), the ignoble personification of illusion who leads mankind astray. In his dance of ecstasy Shiva raised his left leg, and, in a gesture known as the "gaja hasta," pointed to his lifted leg to provide refuge for the troubled soul. He thus imparted the lesson that through belief in him, the soul of mankind can be transported from the bondage of illusion and ignorance to salvation and eternal serenity. Encircling Shiva is a flaming body halo ("prabhamandala," or surrounding effulgence) that not only establishes the visual limits of this complex and dynamic composition but also symbolizes the boundaries of the cosmos. |
日期 | |
来源 | https://www.flickr.com/photos/rosemania/86746598/in/set-72057594048518296/ |
作者 | Rosemania |
许可协议
[编辑]我,本作品著作权人,特此采用以下许可协议发表本作品:
这幅图片原始出处为Flickr的https://www.flickr.com/photos/69275268@N00/86746598 ,作者为rosemanios 。经机器人FlickreviewR在2009年6月28日审查后确定为采用cc-by-2.0的协议授权使用。 |
2009年6月28日
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2009年6月28日 (日) 12:30 | 1,704 × 2,272(1.16 MB) | FlickreviewR(留言 | 贡献) | Replacing image by its original image from Flickr | |
2009年2月10日 (二) 10:06 | 768 × 1,024(405 KB) | Rosemania(留言 | 贡献) | {{Information |Description={{en|1=Metropolitan Museum of Art, NYC. Shiva as Lord of Dance (Nataraja), Chola period (880-1279), ca. 11th century Tamil Nadu, India Copper alloy; H. 26 7/8 in. (68.3 cm); Diam. 22 1/4 in. (56.5 cm) Gift of R. H. Ellsworth Lt |
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- Shiva
- Nataraja
- Rudra
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- Virabhadra
- Ardhanarishvara
- Ayyappan
- Shaivism
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- Lingayatism
- Elephanta Caves
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- Banteay Srei
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- Shaiva Siddhanta
- Kedarnath
- Bhairava
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- Trimbakeshwar Shiva Temple
- Bhimashankar Temple
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- Om Namah Shivaya
- Shri Rudram
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相机制造商 | Canon |
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相机型号 | Canon DIGITAL IXUS 400 |
曝光时间 | 1/6秒(0.16666666666667) |
光圈值 | f/2.8 |
数据生成日期时间 | 2005年12月30日 (五) 18:19 |
镜头焦距 | 7.40625毫米 |
方向 | 正常 |
水平分辨率 | 72 dpi |
垂直分辨率 | 72 dpi |
使用软件 | QuickTime 7.0.4 |
文件修改日期时间 | 2006年1月14日 (六) 22:08 |
亮度(Y)和色度(C)位置 | 中间 |
Exif版本 | 2.2 |
数字化日期时间 | 2005年12月30日 (五) 18:19 |
图像压缩模式 | 3 |
APEX快门速度 | 2.59375 |
APEX光圈 | 2.96875 |
最大光圈 | 2.96875 APEX(f/2.8) |
测光模式 | 多区 |
闪光灯 | 闪光灯未点亮、闪光灯强制关闭 |
色彩空间 | sRGB |
焦平面X分辨率 | 8,114.2857142857 |
焦平面Y分辨率 | 8,114.2857142857 |
焦平面分辨率单位 | 英寸 |
感光方法 | 单芯片彩色区域传感器 |
自订图像处理 | 普通处理 |
曝光模式 | 手动曝光 |
白平衡 | 手动白平衡 |
数字变焦比率 | 1 |
场景拍摄类型 | 标准 |
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