File:John Everett Millais Vanity Fair 13 May 1871.jpg

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Captions

Captions

"A converted pre-Raphaelite", caricature by Ape in Vanity Fair, 1871.

Summary[edit]

Carlo Pellegrini: A converted pre-Raphaelite  wikidata:Q106500596 reasonator:Q106500596
Artist
Carlo Pellegrini  (1839–1889)  wikidata:Q935877
 
Carlo Pellegrini
Alternative names
Singe, Ape
Description Italian artist and caricaturist
Date of birth/death 25 March 1839 Edit this at Wikidata 22 January 1889 Edit this at Wikidata
Location of birth/death Capua London
Work location
London Edit this at Wikidata
Authority file
artist QS:P170,Q935877
image of artwork listed in title parameter on this page
Title
A converted pre-Raphaelite Edit this at Wikidata
title QS:P1476,en:"A converted pre-Raphaelite Edit this at Wikidata"
label QS:Len,"A converted pre-Raphaelite Edit this at Wikidata"
Series title Men or Women of the Day Edit this at Wikidata
Object type print / work with multiple executions Edit this at Wikidata
Genre caricature Edit this at Wikidata
Description
Caricature of John Everett Millais (1829-1896). Caption read "A converted pre-Raphaelite".
Depicted people John Everett Millais Edit this at Wikidata
Date 1871
date QS:P571,+1871-00-00T00:00:00Z/9
Publication date 13 May 1871 Edit this at Wikidata
Medium chromolithograph Edit this at Wikidata
Source/Photographer

Published in Vanity Fair, 13 May 1871.


This version downloaded from http://www.antiqueprints.com/proddetail.php?prod=e5994

Licensing[edit]

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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current09:31, 29 May 2010Thumbnail for version as of 09:31, 29 May 2010530 × 845 (77 KB)Rcbutcher (talk | contribs){{Information |Description=Caricature of John Everett Millais (1829-2896). Caption read "A converted pre-Raphaelite". |Source=Published in Vanity Fair, 13 May 1871.

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