File:KV279 2nd Movement Shading Andante hollowed-out by Sunlights.ogg

English: ( Notice: For 'some researching Comments and information corrections of 1774 - Transcendentalism', please see the 8th point of Wikiversity Portal:Mozart's Genius Techniques in Kids' Eye [1]. The 3rd version was in my current technical sophistication near the perfection in my classroom which was played in much more Mozart's original purposes, but the 1st version was always my favorite one.)

This sound file was an expressive edition of Mozart's KV279 (1784) - 2nd movement Andante recorded from my own classroom (self-studio). It is one of my most favorites. Regarding with more information, please refer to Wikipedia introduction (Piano Sonata No. 1 (Mozart)) Depending on my knowledge and musicality, I would point out several importances for my understandings:

1. 1784 was a year Mozart had met Haydn, which could have impacted Mozart's style of Classical countermelody and its application in his second 'tender' movement, especially from the communication with Haydn and his Baroque exploration in 1782 - 1783.

2. It's said this movement was 'full of expressive shading, the result of Mozart's harmonic freedom'. Yes, it's quite right. However, this 'harmonic freedom', in my mind, was from a sudden tiredness (or to say, a 'lazy happiness) after so many happy events broken into Mozart life without the time to relax... In the manuscript, Mozart have all recorded his emotional senses after those mental & real 'adventures' & 'legends' of heroism he made.

3. Masonic music style could also give Mozart some inspirations, as a Freemason's. 4. Imagining: On one morning you woke up under some heavenly golden sunlight and with a lazy stretch, what would you feel? Soul has almost been hollowed-out by those lights directly, which made you feel the world in your life wasn't quite true and was as if in your dream as almost in heaven... Under the sunshine, is it still a little bit of shading sadness hidden back by your sensitive brain... regarding with the position or dream, indeed, you have never changed and reached, though many achievements gained on the way...? Oh, at that moment, you don't want to think more... just let a slow tune going... going into the golden sunlight, as if time has already terminated besides, and with a small true 'your self' hidden in a dark square around your standing feet... Enough or not enough? Oh, God's child - Mozart... what have you really seen before this work?

Finally, thanks to the original manuscript from Breitkopf & Hartel Company and the University of the Arts Berlin, which allow me to touch Mozart's original thoughts of ornamentations and dynamics in his works and more - some extra emotions, for on-going 'Across Time'. Based on a classical respect and a personal love, thanks to the usage of Tokfo/Vienna Gallery!

Jason M. C., Han (talk) 14:25, 28 August 2018 (UTC)