File:Lecture 15. Gregorian Chant and Music in the Sistine Chapel.webm
Lecture_15._Gregorian_Chant_and_Music_in_the_Sistine_Chapel.webm (WebM audio/video file, VP9/Opus, length 50 min 1 s, 640 × 360 pixels, 218 kbps overall, file size: 77.8 MB)
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[edit]DescriptionLecture 15. Gregorian Chant and Music in the Sistine Chapel.webm |
English: Listening to Music (MUSI 112)
This lecture begins the third part of the course, which looks at music from a historical perspective. Here Professor Wright focuses on the medieval period. He discusses chant, and its role in the lives of monks and nuns in medieval monasteries, convents, and cathedrals. He then moves on to briefly discuss polyphony. The lecture is supplemented by visuals of cathedrals, monasteries, and medieval illuminations, as well as recordings of monophonic chant by the eleventh-century polymath Hildegard of Bingen, anonymous polyphony, polyphony by the Renaissance composer Giovanni Pierluigi Palestrina, and a recording of the last papal castrato, Alessandro Moreschi. 00:00 - Chapter 1. Gregorian Chants in the Medieval Period 07:14 - Chapter 2. Religious Influence on Early Music: The Roles of Monks and Nuns 16:56 - Chapter 3. Chant Analysis of Hildegard's "O Greenest Branch" 26:56 - Chapter 4. From Monophony to Polyphony: A Cappella of the Sistine Chapel 46:22 - Chapter 5. Conclusion Complete course materials are available at the Yale Online website: online.yale.edu This course was recorded in Fall 2008. |
Date | |
Source | YouTube: Lecture 15. Gregorian Chant and Music in the Sistine Chapel – View/save archived versions on archive.org and archive.today |
Author | YaleCourses |
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Short title | Lecture 15. Gregorian Chant and Music in the Sistine Chapel |
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Image title | Listening to Music (MUSI 112)
This lecture begins the third part of the course, which looks at music from a historical perspective. Here Professor Wright focuses on the medieval period. He discusses chant, and its role in the lives of monks and nuns in medieval monasteries, convents, and cathedrals. He then moves on to briefly discuss polyphony. The lecture is supplemented by visuals of cathedrals, monasteries, and medieval illuminations, as well as recordings of monophonic chant by the eleventh-century polymath Hildegard of Bingen, anonymous polyphony, polyphony by the Renaissance composer Giovanni Pierluigi Palestrina, and a recording of the last papal castrato, Alessandro Moreschi. 00:00 - Chapter 1. Gregorian Chants in the Medieval Period 07:14 - Chapter 2. Religious Influence on Early Music: The Roles of Monks and Nuns 16:56 - Chapter 3. Chant Analysis of Hildegard's "O Greenest Branch" 26:56 - Chapter 4. From Monophony to Polyphony: A Cappella of the Sistine Chapel 46:22 - Chapter 5. Conclusion Complete course materials are available at the Yale Online website: online.yale.edu
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Author | YaleCourses |
User comments | https://www.youtube.com/watch?v=ZkY9nnuiXrs |
Software used | Lavf60.16.100 |