File:Paul Newman and Melvyn Douglas Hud.jpg
Paul_Newman_and_Melvyn_Douglas_Hud.jpg (640 × 425 pixels, file size: 64 KB, MIME type: image/jpeg)
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Summary
[edit]DescriptionPaul Newman and Melvyn Douglas Hud.jpg |
English: Paul Newman and Melvyn Douglas in "Hud" |
Date | |
Source | http://wazzasplace.blogspot.de/2008/09/paul-newman-another-cool-dude-gone.html |
Author | Paramount Pictures |
Permission (Reusing this file) |
Creative Clearance offers similar advice for older publicity stills but distinguishes "Publicity Photos (star headshots)" from "Production Stills (photos taken on the set of the film or TV show during the shooting)". It says newer publicity stills may contain a copyright, and production stills "must be cleared with the studio."[2] Nancy Wolff, includes a similar explanation: Legal expert on the use of photographic images, Nancy Wolff, includes a similar explanation:
These photographs came from a photo archive of entertainment industry publicity pictures, historic still images widely distributed by the studios to advertise and promote their then new releases. While not considered valuable at the time, avid collectors have created complete archives by salvaging and cataloging movie and television photographs, preserving a significant facet of American culture. These archives are a valuable cache for publishers who rely on these archives as a resource for entertainment material."[3] Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes: Film industry expert Gerald Mast explains how the new 1989 copyright revisions only protected publicity works that complied with all earlier requirements in addition to filing a copyright registration within 5 years of first publication:
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Licensing
[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文(简体) ∙ 中文(繁體) ∙ +/− |
References
[edit]- ↑ Honathaner, Eve Light. The Complete Film Production Handbook, Focal Press, (2001) p. 211
- ↑ Creative Clearance. Photography Clearance. Clearance Guidelines for Producers. Archived from the original on 2013-02-12. Retrieved on 4 May 2011.
- ↑ Wolff, Nancy E. The Professional Photographer's Legal Handbook, Allworth Communications, 2007 p. 55
- ↑ Mast, Gerald. "Film Study and the Copyright Law", from Cinema Journal, Winter 2007, pp. 120-127
- ↑ Thompson, Kristin. [1] "Report of the Ad Hoc Committee of the Society For Cinema Studies, "Fair Usage Publication of Film Stills" "Society for Cinema and Media Studies", 1993 conference
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